Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Monday, January 08, 2024

Pethau Hen (a poem)

I'm trying to be a little bit braver in 2024, and put some more of my creative stuff 'out there'. I know this blog doesn't have the biggest readership, but I'm starting here. 

This poem is called Pethau Hen, which means 'old things' in Cymraeg. It's inspired by some recent stays in North Wales, where if you go down the right valley (or the wrong one) you feel like you might meet something - or someone - unexpected. 
Mist-topped mountains in the Nantlle valley


Whisper me the secrets the sacred mountains keep

The ragged cragged nooks where the dragons sleep

Hills where tragic princes raised their broken forts

And clouds grant gloomful cover to wild faerie courts


Capture and interpret the turgid burbles of the brooks

Catch those corner glimpses that retreat from second looks

Dig up the bones of giants who left nothing but their graves

And greet the gladiators hiding in the waves


Take me where the gulls cry death on the pebble shore

The mesmerising skyline as flat as it is raw

Give me reason to believe and grieve the driven pethau hen

And call them near to meet me in the cold redemptive rain

Thursday, August 26, 2021

Mining the myths - modern takes on the Norse pantheon


I've recently finished reading The Gospel of Loki by Joanne Harris, which is one of several books I've read over the past decade that have expanded on Norse mythology. It was a bit strange reading the book concurrently with watching the Marvel series called Loki on Disney Plus. It's a credit to Tom Hiddleston, the eponymous antihero, that I picture him when I'm reading a completely different book about Loki, the Norse god not the Marvel character. 

The other books I've read are Ragnarok by A.S.Byatt, which I blogged about back in 2012, and Norse Mythology by Neil Gaiman, which I thought I had blogged about previously, but obviously I didn't get around to it. I'll also chuck in American Gods by Neil Gaiman, which takes members of the Norse pantheon and relocates them to the USA where they struggle to get by on the new continent because of a lack of believers. (I can't locate my copy, which is why it isn't in the picture.)

And then there is the Marvel Cinematic Universe (MCU), which includes the three Thor movies and the six-part Loki series, plus Thor and Loki have key roles in the various Avengers movies. Loki is central to Avengers Assemble as Thanos's agent to steal one of the Infinity Stones while Thor's character development, as he struggles to adjust to life after Asgard and failing to defeat Thanos, is one of the most memorable elements in Avengers Endgame, which capped off the first multi-movie arc of the MCU.

So, a brief synopsis of the source material

Marvel

Thor, Odin, Loki and the other characters from the Norse myths are actually superpowered beings with various magical powers and abilities from a different world or plane of existence (I'm not exactly sure which it is meant to be). In this universe Thor and Loki are brothers, the sons of Odin, except Loki is actually adopted. Although the Thor films are meant to be about Thor, he's a bit of a dull character initially and Loki steals the show. Which is fitting as he is the trickster god. Loki's story continued this year with the release of a six part TV series on Disney Plus, which introduced a range of 'variant' versions of Loki from different timelines, leading into a multiverse scenario that will be the centrepiece of the next phase of the Marvel Cinematic Universe.

Myth-mining - borrows names, character traits and some of the mythic storylines, such as the end of the gods at Ragnarok for one of the films, and recasts them within a science fiction comic book universe. If there was anyone who took the mythos seriously, Marvel would be getting complaints about cultural appropriation.

The Gospel of Loki

This retells the various Norse myths from the perspective of Loki who is, as expected, an unreliable, dishonest narrator who blatantly positions himself as the wronged victim. The various gods are portrayed as clueless and vain, obsessed with power and prestige and unwilling to share their wealth with anyone else. There is some depth to the world that Joanne Harris creates, with runes carrying magic and therefore being the tools by which the gods can create and some other contemporary touches to how the characters interact. 

Myth-mining - this stays relatively true to the source material, injecting humour into the stories as Loki tries to explain his mischief was actually quite funny, if only the other gods were intelligent enough to get the jokes. 

Neil Gaiman's books

Norse Mythology is a fairly straight retelling of the Norse myths in contemporary English. It does exactly what it says on the cover. I found it a dull read, which surprised me because Gaiman's work is usually anything but dull. American Gods meanwhile, has versions of the Norse gods seeking to establish themselves in America, against the tidal wave of new gods being created in American culture. Within this framework, Odin is a wily conman, Loki is a similarly shifty lowlife, Thor has committed suicide and Baldur has forgotten who he is. Other gods from other old world mythologies are also surviving in the shadows of the new American cities, imported to the new world with their believers who emigrated there (or were taken against their will). The Norse gods are the old world gods who have been there the longest, arriving with the Viking adventurers that discovered Vinland and then clinging on in a liminal existence ever since. The book concludes with an epic battle between the old world gods and the American gods.

Myth-mining - As a straight retelling, Norse Mythology is as close to pure Norse myth as could be imagined. American Gods, however, develops the characters in unusual ways but with a solid basis in the original myths - Norse, African, Egyptian, Eastern European and others. 

Ragnarok

The premise of this book is someone writing about how they discovered the Norse myths and how those myths got them through tough times as a child, when they thought the world was ending. It was a very clever vehicle for retelling the myths and exploring their psychological impact and appeal. There is also an essay in the book that tries to draw some life lessons from the stories and make them relevant to current issues, particularly drawing a parallel between the impending doom of Ragnarok, that the gods knew was imminent yet were powerless to prevent, and the damage being caused to the world's climate that similarly seems to have powerful people acting obliviously and ignoring the predictions of catastrophe. That really stuck with me as an illustration. 

Myth-mining - The stories are retold faithfully, while intertwined with original material, which helps make them more real and important. 

The conclusion

I don't think it's coincidental that these writers and creatives are drawn to using these myths in their own work. The stories of the Norse gods are stories about how wielding power contains within it self-destruction, how trying too hard to preserve something hastens its loss, and how actions that seemed like a good idea at the time often have unintended consequences. The gods respond to the threat of Fenrir, the wolf destined to swallow the moon, and seek to neutralise the threat, which only drives Fenrir further down a path of madness and destruction. Odin hoards knowledge, worried what will happen if it gets into the wrong hands, only to find that the other gods embark on courses of action that are damaging anyway. 

These are all powerful, seminal themes. Love, hate, pride, ignorance, valour, courage, selfishness, heroism, nihilism, betrayal, honesty, and many more very human traits. The "gods" in this fiction are just humans writ large, which is why we can learn from them. That's probably why these story-tellers feel it is worth retelling these tales. 

Tuesday, June 30, 2015

1000 Lives - a work retrospective

Today was my last day at 1000 Lives Improvement. It's been five years and it was definitely time to move on. However, it's hard to say goodbye to people you have worked with and grown to care about. As Cathy pointed out, five years is the same length of time I was at secondary school. It's longer than my niece has been alive! So, it is a significant chunk of time.

Anyway, here are some high points...

Count me in
This was a big campaign shortly after I started to maintain the momentum of the 1000 Lives Campaign in the new 1000 Lives Plus programme. This photo is notable for my mini-sideburns and the blue jacket that I wore a lot to work events.



The STOP Campaign
This was the first time we really built comms into a clinical change programme. The mascots were fun to develop, especially the catheter (first time round it looked really rude). STOP won a CIPR Pride Award - I wrote a report on it if you want to know more.


Champions for Health
Another big campaign, this time looking at improving the health of NHS staff and encourage them to become advocates for healthier lifestyles. I took part in the pilot. (Blue jacket in the photo!)

World Sepsis Day
One day I will blog about the car journey I had with Terence Canning, the Welsh ambassador for the UK Sepsis Trust. On that journey we coined a phrase that has appeared on numerous awareness-raising materials and has even been borrowed by other organisations. I had the poster on my wall by my desk at work as a reminder that good writing is often short writing.

We also interviewed Terence for one of the videos we shot for World Sepsis Day.



The International Forum - London
Probably one of my favourite weeks at 1000 Lives was manning the NHS Wales at the IHI International Forum in London in 2013, with my lovely friend Kelly. Almost unbelievably, having spent 15 hours a day in each other's company we ended the week better friends than when we started. On the way down we decided our names weren't Welsh enough so we adopted the names Iolo and Myfanwy. Little did we know those names would stick.

At the end of the week we posed by the London Bus they had in the main auditorium. You can see how tired we were.

Dr Olivia
Towards the end of last year I spent nearly six weeks working on placement in Aneurin Bevan University Health Board. What with a Daily Mail hate campaign against NHS Wales, rumours about ebola, and a grisly incident involving a possible patient, it was a chance to experience the deep end of NHS comms.

We also got to film Dr Olivia's Guide to A&E - Is it really an emergency? I'm not sure how many videos I produced while at 1000 Lives. It's well over 100. This is one of my favourites.



Publications
In the past five years I've written six annual newspapers (plus three others) and 14 white papers. These are the latest ones.


Legacy
I've left these on my desk to intimidate my replacement. 3 gold awards in 2 years is a pretty good return. (As the person who wrote the entries as well, I felt doubly satisfied with the wins!)


So, those are just some highlights. There were many more. It's been a good five years.


Wednesday, May 20, 2015

Five Quotes from Life after God by Douglas Coupland

I have discovered Douglas Coupland’s novels in the last few years. Life after God is both like and unlike his novels. Here are five bits from it that really spoke to me.

“Sometimes I think the people to feel the saddest for are people who are unable to connect with the profound... And then sometimes I think the people to feel saddest for are people who once knew what profoundness was, but who lost or became numb to the sensation of wonder – people who closed the doors that lead us into the secret world – or who had the doors closed for them by time and neglect and decisions made in times of weakness.”

“And then I felt sad because I realized that once people are broken in certain ways, they can’t ever be fixed, and this is something nobody ever tells you when you are young and it never fails to surprise you as you grow older as you see the people in your life break one by one. You wonder when your turn is going to be, or if it’s already happened.”

“...humans are the only animal to feel the pain of sorrow that has been stretched out through linear time ...our curse as humans is that we are trapped in time – our curse is that we are forced to interpret life as a sequence of events – a story – and when we can’t figure out what our particular story is we feel lost somehow. “Dogs only have a present tense in their lives,” ... Humans have to endure everything in life in agonizingly endless clock time – every single second of it. Not only this, but we have to remember having endured our entire lives as well.”

“I think that death is not just dying. I think death is a loss that can never be found again, words that can never be taken back, damage that can never be made whole. It is a denial of any possible future giving of love.”

“...we are living creatures – we have religious impulses – we must – and yet into what cracks do these impulses flow in a world without religion?”

(I’ve typed these up without permission. I would recommend you buy and read the book and all Douglas Coupland’s other books.)

Sunday, December 23, 2012

Would you read this book?

So, after a conversation recently with another aspiring author, I feel the need to get my Zodiac Team science fiction story idea back out there. So, here's a question. Would you read it? I'd like to know, so please comment. This is a background piece, establishing the context for the book...

Victorious Earth
The dawning era of spaceflight is well-documented, mainly because it took so long. The 99 years between humans walking on their own planet’s natural satellite and stepping onto the surface of a neighbouring planet was filled with many false starts. Subsequently, the development of inter-planetary and inter-stellar travel was rapid.

Shortly after the Mars visitation in 2068, the human race received incontrovertible evidence that they were not alone in the universe, making contact with the first of the xenoraces, the Vichin, just three years later. The Vichin brought with them the new physics, including the expansion model of the universe, which enables rapid corespace travel over massive universe-layer distances. Within ten years of reaching Mars, human engineers and physicists had built their own versions of Vichin density-matrices and had begin exploring neighbouring systems, forming diplomatic relationships with neighbouring races.

The new Earth-based hegemony included the rapid colonisation of uninhabited planets in what was subsequently called the first diaspora. This came to an abrupt halt in 2091 when the Palloshan Empire declared war on the colonies of Earth, and attacked and destroyed the nearest colony to recognised Palloshan territory, the water-world Oceanica. Several other human colonies, including HuVee, Terralis and Vista, were conquered, with more than 1 billion human inhabitants enslaved. The human prime system also came under attack, with outposts on Titan and Ganymede bombarded and the artificial township and space-dock Trans-Lunar the focus of a failed invasion.

Earth’s first space war turned on three fronts. Firstly, the failure of the Palloshan invasion into humanity’s home solar system, meant the successful defence of Trans-Lunar becoming a rallying point in the war and showed that the Palloshan could be beaten. Secondly, the technological development of Velocity and Vector Matching (VelVem), which meant that Earth-built spaceships could attack Palloshan spaceships within core-space – something that had never been done before and the Palloshan had no defence for. And, thirdly, the establishment of a pan-species alliance that saw human forces aid three other occupied races – the hectapode Repobohre and the insect-like sister-races of the Glyadduu and Klailaxuu – to emancipate themselves from the Palloshan, as well as persuading the Vichin to enter the war; the first time the Vichin had engaged in warfare for over 30 galactic years (approximately 44,000 human years).

The war was mainly fought ship-to-ship, with most of the Palloshan space navy destroyed in transit by human VelVem attack squadrons. The human forces never launched a planetary invasion, preferring instead to engage in hit and run commando-style attacks against key installations, including several on the sacred homeworld of the Palloshan, Pallo Prime. Before the war, the Palloshan had proudly boasted that no alien had ever set foot on their planet. This changed as several key military and industrial sites were targeted for insertion and destruction. The final commando raid on Pallo Prime switched to targeting a civilian site, the historic birthing temple regarded as the source of the Palloshan race, which was dynamited from inside by the most famous of several semi-autonomous commando units, the Zodiac Team.

With most of its fearsome navy reduced to ash in corespace, and commando raids on Pallo Prime now threatening key social, religious and cultural sites, the Palloshan presented an armistice agreement. It was the first time the Palloshan had ever had to sue for peace and the main outcomes of the were regarded as humiliating in the extreme for the Palloshan ruling elite.

There were dramatic limitations on the Palloshan Empire, with several territories and key space routes surrendered to other races. The armistice gave autonomy and reparations to the Repobohre, Glyadduu and Klailaxuu and significant reparations to the Vichin and the human colonies that were destroyed or occupied. The Palloshan were also forced to sign non-aggression treaties with the victorious races, with non-compliance to be treated as an act of war. This significantly limited where the Palloshan could move or station spacecraft even within their own borders.

As the armistice negotiations slowly unfolded, the Unity government of Earth and the Colonies (UEC) realised there was a danger of extremist elements among the Palloshan high command deciding to reignite the space war rather than lose any more prestige. The UEC therefore offered to recycle most of its larger battleships, including the ten massive weapons platforms that served as AI-enhanced mobile bases for its commando units. There were good economic reasons for UEC decommissioning most of its naval units, they were no longer needed and were expensive to maintain and run.

Unfortunately, at the main decommissioning ceremony, one of the commando teams absconded with mobile base number 8. The team in question were the most decorated and celebrated commando team, the Zodiac Team.

A number of reasons have been postulated for the team’s defection. The attack on the Palloshan birthing temple remained a major source of contention in the armistice agreements, and the team may have been worried that they would be tried for a cultural war-crime. One of the team helped develop the weapons platform and the independent ship-functioning AI nano-cultures that helped the huge vessels run on a minimum number of crew. This emotional attachment may have prevented that crew member from relinquishing the ship. Equally, there may have been a residual feeling of distrust towards the Palloshan in the team, who then decided to keep their weapons platform functioning in case hostilities broke out again.

The absconding team were tried with desertion in their absence and were officially declared enemies of the UEC. However, the versatility of their mobile base and their military and strategic prowess meant their services were frequently in demand in the more remote human colonies and in territories beyond official human control, or controlled by xenoraces.

These are the tales of the Zodiac Team.

Comments welcome!

Sunday, March 18, 2012

If you aren’t going to take your work seriously then don’t expect me to take you seriously

This post could also have been titled: Why I didn’t like the film Happy Feet.

I have had a few conversations with people lately that have run something like this: “I know it’s only a cartoon / trashy action movie / Doctor Who, but it annoyed me how unrealistic it was...”

I realise that may make me sound nuts, but my point is this: I can accept implausible plots (e.g. a time travelling alien that looks just like a human traversing the multiverse in a little blue box), but any story, no matter how far-fetched has to abide by its own internal logic. And however fantastic and unbelievable the story, holes in the plot come down to one thing: shoddy writing.

For example, my main objection to Happy Feet was that the main penguin (whose name I forget and can’t be bothered to look up on IMDB) didn’t grow up and all his contemporaries did. So at the end of the film he was still a little grey chick, but the girl penguin he liked was in her proper plumage and everything. There was no reference to why this should be the case, or any explanation at all for it.

I think sometimes people think ‘oh, it’s only a cartoon, it doesn’t matter’, but whatever film it is, I feel cheated if people don’t do their job properly with a script etc. That, for me, was an irksome plot-hole that made me quite annoyed at the film-makers and sucked all the joy out of the film.

Also – as an aside – I really didn’t like the zoo scene where he was quite clearly suffering post traumatic stress disorder due to being confined. I’m not sure how I feel about zoos generally (some seem quite good; some are awful), and it kind of glossed over the distress that can be caused to animals in the name of entertaining humans.

I suppose there is something good any film showing how exhibiting animals can be bad for them, but whether a cartoon where it all came good in the end was really the place for effective social commentary is debatable.

There are other examples of films / TV shows where stuff just doesn’t add up, like the ‘pirates’ episode of Doctor Who last year where one character just disappeared with no explanation, or any film that relies on people changing their mind and crossing a huge distance in an unfeasibly short time to turn up in the right place at just the point where they can save the hero(es) when all hope seems lost.

Script-writers can get away with it sometimes – recently in The Muppets they made a joke out of that corny plot device (‘How did you get back here so quickly?’ ‘We travelled by map!’), which worked within the internal logic of the film.

I wish all script-writers were as good at closing plot-holes.

Monday, July 18, 2011

Some other bits of writing & stuff

Occasionally I engage in some self-promotion.

A pessimistic article I wrote for When Saturday Comes has attracted at least one angry commentator detracting my status as a Shrewsbury fan. Surprisingly I'm less than bothered.

I don't usually plug stuff I've written for work, but I was involved in the creation of a recent white paper about the guiding ethos in the NHS, and whether its founder, Aneurin Bevan, would recognise it. I found it fascinating to write it and maybe you'd find it interesting.

While we're on the subject of work stuff, I had the privilege to direct some information videos about work being done to prevent falls among elderly and infirm people back in May. They're now online, so if you want to rate my ability as a documentary film-maker, you can watch them here. I suggest the ones filmed in Cardiff and Llanidloes - if you like dogs you have to watch the one from Llanidloes. (I was helped massively by a very talented cameraman / editor - this is his website.)

Wednesday, May 11, 2011

Zodiac Team: Meeting in the mess

The scene: Leo, a new member of the Zodiac Team is being shown around the Team's stolen spaceship, The Wheel, by another team member called Cancer. He is taken to the mess where he meets some of his new comrades for the first time.

Leo found it hard not to stare at Capricorn. The man looked alien, with metallic, ridged horns curling backwards from his temples, over the top of his head, and down to below his shoulders. The gunmetal horns tapered into a tangle of silver wires that suddenly splayed out at the very tip of the each horn.

Cancer, sitting opposite Leo at the table, noticed the newcomer staring down the table. “Wait ‘til you see him plugged in,” he said, while noisily chewing his food.

Leo felt momentarily embarrassed and looked back down at his plate, pushing the rehydrated vegetables around with his knork.

“Don’t worry,” said Taurus, interjecting from Cancer’s left. “It takes some getting used to. Even creeps me out sometimes.”

“Mind if I sit here?”

Leo looked up to see a petite young woman, holding a steaming plateful of food. She smiled at him and glanced briefly at the table, then back at him.

“Sure, no problem,” he said, shuffling along the bench in an accommodating way.

“Thanks,” she said, nimbly stepping over the bench and sitting down in a fluid movement. “Not everyone likes me sitting next to them.”

“That’s because you steal other people’s rations,” said Cancer, protectively encircling his plate with his arm.

The woman ignored him. “I’m Aquarius,” she said, smiling sweetly at Leo. The dimples in her cheeks made her look child-like when she smiled. She had large, dark brown eyes with incredibly long lashes, a button nose, tiny lobeless ears, and behind them gen-engineered gill-sacs.

“Leo,” he said, offering her a hand.

“No…” Cancer groaned as she took hold of his hand and shook it gently. She didn’t let go. Leo had a strange sensation, as if he was being tickled on the inside of his forehead. He blinked, screwing his eyes tightly shut. Cancer reached over and smacked their hands, breaking their connection.

“Get out of his head,” he said, brusquely.

“Fine!” snapped Aquarius. Her smile was gone now. She stabbed several protein chunks on her plate with her knork and put them in her mouth. Chewing quickly, she began stabbing more protein.

“Ow,” said Leo rubbing his forehead with the back of his thumb. “What was that?”

“She’s an empath,” said Taurus as he put another knorkful of food into his mouth. Cancer grunted.

Leo looked at the girl next to him, who was now devouring her food with a very definite sense of purpose.

“You read my mind?” he asked.

“Your feelings,” she said, without looking at him.

“My feelings… oh, right, like I believe that.”

“You don’t trust him” – she pointed at Cancer with her knork – “you’re awed by him” – she pointed at Taurus –“ and you are weirded out by him” – she pointed at Capricorn.

Leo opened his mouth, then closed it again.

Taurus grinned. Surprisingly, so did Cancer. It seemed he didn’t mind being considered untrustworthy.

“Oh, and you were attracted to me,” she said as a coup de grace.

Leo decided not to say anything and begin eating again.

“And I’m flattered,” said Aquarius, unexpectedly. She was smiling again. “You’re not so bad-looking yourself.”

“I’m warning you,” said Cancer, leaning across the table and emphasising his point by pointing his knork at Leo. “Blink and she’ll have that food off your plate.”

“That was one time, Cancer,” said Aquarius in a frustrated tone.

Cancer made eye-contact with Leo and raised his eyebrows. Then he shook his head, looked away and started eating again.

“They’re synaptic exo-brain units,” said Taurus.

“What?”

“The horns.” The broad-shouldered soldier used an elbow to point at Capricorn.

“What’s he doing?” asked Leo. The man with the exo-brain horns seemed in a near catatonic state. His eyes were closed, but his eyelids flickered as his eyeballs moved rapidly underneath them.

Taurus shrugged. “I don’t know. Calculating corespace co-ords or something.” He sighed. “Thing is, he does look weird. Almost not human. But he’s the only human I’ve ever met who gets corespace. Really gets it, I mean.”

“I understand it,” said Cancer flatly, as if correcting Taurus.

“Please,” said Taurus. “I’ve heard you explain it and I understood it, which means that either I’m smart enough to get corespace, or you don’t get it.”

Leo sensed the two of them had had this conversation before. Many times before.

“Do you know about corespace?” asked Aquarius, addressing Leo.

“Only what they told us at the Academy. That we exist in the surface layer of the universe expansion and below us are dimensions of space that don’t exist in the same way. A dense object falls into that space and can then re-surface at any point. One of my lecturers said it was as if we lived in the skin of an apple, and then when we wanted to go to another point on the apple, we burrowed through the core.” Leo felt pleased with his explanation.

“Oh, please, that is nothing like corespace,” said Cancer. “That’s an analogy for idiots.”

“Palloshan ballsacks Cancer, you couldn’t explain it any better,” said Taurus.

“I have explained it better! I’ve explained it to you!” said Cancer.

“What’s an apple?” asked Aquarius.

“It’s a vegetable they grow on Earth,” said Taurus to Aquarius, before turning back to Cancer. “And your explanation makes no sense.”

“That’s because it’s a paradox,” said Cancer.

“It’s a fruit,” said Leo to Aquarius. “An apple is a fruit.”

“Look, the only thing I know with any certainty is that I don’t know what corespace is.”

“Not what it is, where it is. It’s old time. Corespace travel is movement through time.”

“They grow on trees.”

“Well how does that make any sense?”

“Time is the unmappable dimension. So when you drop a dimension, the density matrix alters relativity.”

“We used to have an apple tree in our backyard.”

“That’s nonsense. All I know is that out here there is one rule. If it works, don’t question it, and if you question it, it won’t work!”

“Oh, you’re impossible.” Cancer crossed his arms and looked away from Taurus, who breathed out heavily in annoyance, paused momentarily to steady himself, then carried on eating.

“On my homeworld, we didn’t have any trees,” said Aquarius sadly. She sipped from her squeezemug. “We had kelp forest though, dozens of feet tall. I used to swim through them with my school-friends, every morning, as the sunlight shone down through the water on the edge of the reef.”

She looked at Leo directly, and smiled again. But this time her smile was tinged with sadness. The faint crowfeet wrinkles in the corners of her eyes turned downwards and became more visible. In her sadness, her real age percolated through her child-like features.

“It’s all gone, now,” she said softly, like an innocent who had seen too much to remain innocent. “The kelp burned when the Palloshan poisoned our oceans with the gill-rot and the acid-mute.”

There was an awkward silence as Aquarius stared into the middle-distance as if she could see through the mess table, the deckfloor, possibly even the hull of The Wheel. She snapped back from memory into real-time.

“You going to finish that?” asked Aquarius peering at Leo’s plate. Her own looked pristinely clean as if she had licked up every last crumb.

Cancer grinned evilly, an ‘I told you so’ smile on his face.

Looking for comments - please let me know what you liked or didn't like!

Sunday, January 16, 2011

Things you learn from Wikipedia

"Buffalo buffalo Buffalo buffalo buffalo buffalo Buffalo buffalo" is a grammatically correct sentence.

Confused? Read the article on Wikipedia.

I'd like to find a way of working it into my next work writing project...

Monday, January 03, 2011

2010 - that was the year that was

It's 2011. It seems like only last week it was 2010...

A year in review always seems more momentous after the fact. But some stuff did happen worth chronicling.

January
In a journal entry in early January I wrote: "I do feel like I need to get out of [workplace]. I feel disengaged and unmotivated. Money is tight in the organisation but I feel very calm... I think I just don't care about [workplace] any more." Four months later I was gone.

February
Rumours of redundancies at work. It doesn't help when a load of redundancy packs are discovered on the printer (for real!). The eventual announcement reveals over 30 redundancies are needed - over a third of the organisation.

March
While under notice of redundancy I did a few days freelance in the office where I would end up working just seven weeks later!

April
Was interviewed for and offered a new job the day before my birthday. Then I went to the theatre and met Dirk Benedict!

May
Started the new job. Spent a week in London with my Dad at the London Festival of Stamps. Didn't vote for either of the parties in the new coalition government.

June
I went to a disappointing Florence & the Machine gig at Cooper's Field in Cardiff. Why was it disappointing, I hear you ask...

July
Being made redundant has an upside - you can get training paid for by the government. I had a fun couple of days playing about with Dreamweaver. Also saw Terrorvision at yet another 'we said we retired but we quite like gigging so here we are again' gigs.

August
Saw Toy Story 3. Nearly cried. Went to a wedding. Didn't cry. I don't cry at weddings. I don't really understand why people do. That's just one of the many things that makes me feel like I'm abnormal.

September
We spent a week in Sussex with Mum and Dad. A number of highlights - Beachy Head, Dungeness, a cliff railway in Hastings, a steam railway in Tenterden.

Fantastic gig - Barenaked Ladies in Bristol. Probably number 2 on my all-time gig list. Also the place where we heard Joel Plaskett for the first time.

October
A football match, an ice hockey match, and my boss won a national award at a fancy ceremony. What a month!

November
This won't make much sense unless you're a writer, too. Or maybe it will. But anyway, I had to write an introduction for a report 'from' our programme chairs. I wrote it, and rewrote it and then it got rewritten again by someone else and then they had a look at it and tweaked it, and in the final result only two paragraphs of mine survived unchanged.

Then at a national event, to over 300 of the key players from across Wales, one of our chairs got up and summed up everything we do using two of the sentences I wrote.

Those were my words. Being spoken by a very important person.

At that moment I knew what it must feel like to be a speechwriter for a president or equivalent. To hear your words articulated by someone else is incredible. It meant so much, but most of all it meant that when I wrote them I caught the essence and 'got it right'.

(In other news, the house next door is raided by the police because the tenants have been using it to farm cannabis!)

December
I have an enquiry about publishing my Zodiac Team novel. I also get asked to do some freelance writing for a national organisation in the New Year. My brother and sister-in-law go public with news that, tangentially, means I am going to be an Uncle. Snow threatens to white out Christmas, but fails. However, the bad weather means we don't get to the church carol service and also miss out on going to a footie match on Boxing Day.

December was some month, to end some year.

Sunday, January 02, 2011

Resolution

I'm not really one for resolutions, but this year I may try something different.

This stems from a conversation that I had with my brother last week. In case you missed it, they are expecting. He asked what I thought about it and I said that generally the thing he had to remember is that nobody is ever as interested in the minutiae of your baby as you are.

It's not just babies, I said. It's true of your job, your holidays, your car, and actually pretty much anything you do in life.

People only want to hear the highlights (or lowlights). We want to know if there's something out of the ordinary. But a moment-by-moment account of every kick, every burp, every poo-filled nappy... Well, in the main, no one is as interested as you are. (The same goes for paper-heavy HR procedures, what you ate in the hotel restaurant, or whether you've roatated your tyres.)

I think I have a tendency to talk on about the things that interest me, but don't interest other people so much. So this year my resolution is to take my own advice - talk less and wait for the invitation to share. I'm sure I will bless some people by not talking so much!

I also had a funny conversation with a colleague last month. She is what I affectionately call a 'topper'. It would seem that whatever story you tell, she has a similar one that 'tops' it. We all know people like that, and she is by no means the worst person with that tendency that I have ever had to work with.

But I have that tendency too, which is why I notice it. So this year I plan to be less of a topper.

And a final resolution, because good things come in threes, is to do more writing. I may need to do this in earnest soon as I have had a tentative enquiry about the quasi-finished Zodiac Team novel I drafted several years ago. There is a long way to go on this before any definite plans are made, but I may have to rewrite chunks of it before the end of 2011.

Somehow I will have to find the time to write. If you feel charitable towards me, please wish me luck.

And, similarly, may good fortune (or divine providence if that's more your cup of tea) favour you in the coming year.

Sunday, October 24, 2010

A poem called 'Winter Morning'

I found this lurking in a little-used file on my computer. It's a poem I wrote 6 years ago. I was pleased with the rhythm. I especially like the second line of the second stanza.

Winter Morning

I sought God on a grey day
With a short horizon and cloud hung low
Mist obscured where I should go
And when I talked, I talked in tongues
But now I’m mute
And the point is moot
The tree of life yields bitter fruit

I sought God on a dark night
In the vaults of Heaven, in a crypt of stars
And moonshine shone on prison bars
And when I sang, I sang sad songs
But now I’m mute
And the point is moot
The tree of life yields bitter fruit

I sought God on a cold morn
In a ghost-white forest, under haunted trees
A chill wind stirred a grave of leaves
And when I wept, I wept alone
But now I’m mute
And the point is moot
The tree of life yields bitter fruit

I sought God on a drawn eve
When my breath was warm and my skin was cold
The world was young, yet I felt old
And when I slept, I slept like stone
Forever mute
But the point is moot
The tree of life yields bitter fruit

Wednesday, September 08, 2010

Book Review: A.S.Byatt - The Children's Book

I don't often review books on here, as I save that for my book group, but A. S. Byatt wrote one of the better novels I've ever read, Possession, so I was looking forward to this.

After I read Possession I felt depressed that I would never write as well. But this book has restored my hope. If this is the kind of book that top novelists can get away with, then there's scope for people like me.

Firstly, this book would be better without the frustrating tendency to lecture. I am sure that A. S. Byatt read widely in her research for the book. The problem is she wants to tell me, the reader, how much she knows.

There is an improbable number of chance meetings with famous people from the time - like Oscar Wilde, Auguste Rodin, and Marie Stopes. Even given the circles the protagonists move in, it gets a bit silly (especially the encounter with Stopes). She gets obsessed with the "young and beautiful" Rupert Brooke towards the end of the book, dropping him into the prose in a gossipy kind of way.

At times the story drifts into quasi-historical narratives about suffragettes or letters written by the Prime Minister's wife. Interesting, yes, but they get in the way of the story.

As a result some of the characters, especially the younger children, hardly get a look in to the story until the end, when they are suddenly introduced to the reader before being shipped off into the carnage of the Great War.

There are a couple of plot 'twists', but they are telegraphed well in advance with hints dropped like housebricks. I worked out there were parentage issues a long time before the characters did. I knew there was something dark locked away in the Potter's cupboard and guessed what it might be. And I knew who the soldier in the clay was bound to be.

I'm not saying that to big myself up. My point is, if I get it, then it's not much of a twist.

But there is an over-arching sadness to the book. A generation of free-thinkers and Fabians, socialists, artists and poets fail to change the world. Their children are raised with dreams of utopia and end up ground through the gore-mills of Flanders and the Somme. The tragic ends of life and the shattered families who are left behind are described so matter-of-factly they expend the reader's emotional energy far more than if written as melodrama.

So, on that score, it's a good book. Parts of the plot will probably live with me for a long time (much like Possession). Many vignettes ring true to life and are powerful because of it.

And yet I was left feeling that this had the potential to be so much better if the author could have restrained herself from showing off her learning.

Thursday, April 15, 2010

When your readers miss the twist in the tale you fail

So far the response I've had to the short story I posted yesterday (Family Ties) has been mixed and many people have said they didn't get the twist at the end. (My wife, who normally sees twists coming, included.)

So I've made a couple of small edits to try and make it more obvious.

Would you do me a favour? Could you read it and tell me what you think is going on.

Wednesday, April 14, 2010

Family Ties (a short story)

Every night I get in from work and make dinner for my dad. Same meal every night: faggots and peas. It’s what he likes. He used to eat it as a kid at his nana’s house, as he always told me when I was growing up.

I never liked faggots and peas.

He’ll be sitting in the chair in front of the TV with the volume turned up really loud. I don’t know if he understands it. All I know is that when I try to turn it down he gets agitated. He sits in front of it all day. Sometimes he fidgets if he’s a bit uncomfortable, but he never gets up. He doesn’t need too. I change the catheter bags once a day. They’re never very full.

When I was a kid he used to shout at me for watching too much telly. “It’ll give you square eyes,” he used to shout. “It’ll rot your brain.”

I always think about that as I mash up the pigs' brains and peas.

When I put the food in front of him he always gives me a startled stare. It’s not a look of comprehension. It’s a stare as if he has just seen something extraordinary. Then he will look down at the bowl and stare at it. Then, usually, he will sniff it. On a good day he doesn’t sniff it. He somehow remembers that it’s food and just starts to eat it. But on a bad day, he sniffs it, and then dips a finger in it, then another finger.

He eats with his hands now. Cutlery is too complicated.

Afterwards, I clean him with several wet wipes. He doesn’t like that. He doesn’t like to be touched. He doesn’t like the sanitary lemon smell. He tries to bat me away with his dirty faggot and pea stained fingers.

But I’m stronger than him and I can wet wipe him despite his mute protests.

He doesn’t talk now, my Dad. He used to. He was a great orator. A preacher man of the old hellfire and brimstone school. Popular. People would travel miles to hear his sermons. I used to hear him practise in the living room while I did French homework in my bedroom above. I can remember him practicing his timing. Making his point by punctuating his words with silences.

I wonder what his god thinks of him now.

It’s hard to see somebody you love deteriorate. I remember my mum phoning me the night before she died. “He’s changed,” she said. “He’s not himself. I’m worried about what will happen to him if anything happens to me.”

That night something happened to her. Dad happened. There was some sort of misunderstanding and he reacted. The first I heard of it was when the policemen knocked on my door to tell me there had been a 999 call from my parent’s house. When they arrived my father was standing over my mother’s bloody corpse, silently straddling the body, staring into the middle distance. He wouldn't 'come quietly'. He bit at least one of the police officers as they arrested him.

I remember having to call my sister Jane and say: “Dad killed Mum two hours ago.”

Jane doesn’t approve of me caring for Dad. “He should be locked up,” she said to me when I asked her if I could bring him with me at Christmas. “He’s a monster. He killed our mother!”

“But he didn’t know what he was doing,” I protested. “He doesn’t understand.”

It didn’t matter. Jane didn’t want him in the same house as her kids. I understand why she felt that way. We ate Christmas dinner together alone, me and Dad, sitting in front of the blaring TV as the Queen wished us a happy and prosperous New Year. I almost imagined that he nodded along with it, accepting her blessing, while his dirty fingers rummaged in the bowl of faggots and peas in front of him, ferreting out the pieces of flesh, leaving the peas behind.

I know people think that it’s strange that I take care of him like this. I don’t know how long he will last. He seems so frail, and guttering, like a candle.

People say I should get carers in. But he would hate that. Or put him in a care home. They have great places now where you can take people who are sick and old.

But you don’t just turn your back on the people you love; on family, do you? He may not be the man he was. But he’s still my Dad. And I love him. Even if he has now turned into a Zombie.

Wednesday, March 24, 2010

Summarising my career change of direction in just one picture

I've said before that I've been shredding six years' worth of notes. I've also put out reams of paper for recycling. Ultimately more of what I've done will end up being pulped than read, I'm sure.

Here's the proof:

Sunday, February 14, 2010

This poem doesn't really scan, but I offer it up for your discerning amusement

I don't do poetry often, because a) I don't do it well, and b) I used to write the worst angsty teenage verse you could ever have the misfortune to read, full of woe and melancholy ruminations on the fleetingness of life and all that sort of thing.

But occasionally a scrap of verse seems to tangle well with itself and I think, 'hmmm'. So, anyway, here goes:

ANGEL VOICE

I used to be a high-flying angel
But they clipt my wings
After I slipped and sinned and fell

And tho’ now a broken earth-tied angel
Yet my crypt still sings
Heav’n’s secret songs, too sad too sweet to tell


(You can tell it's almost a 'proper poem' because words are spelt wrong and stuff. Ooh.)

Tuesday, February 09, 2010

Lost in Splott (a short story)

I entered this into a 2,000-word story competition last year, but as I never heard anything I guess it didn't win. I'm putting it on here in the hope that people will enjoy it and maybe leave comments of a consructively critical nature. Go on, you know you want to...

LOST IN SPLOTT

“How hard is it raining?”

It was a rhetorical question. And the rain lashed against the car windscreen hard enough to drown out my words anyway. I was starting to suspect we were lost. In Splott. An area of town as attractive as it sounded. Grey pebble-dashed houses crowded on to the unevenly paved streets, beneath a monotonous low cloud sky. The rainwater on the windscreen turned the streets into a blurry off-kilter world.

My companion muttered a curse. “We’ve come the wrong way,” she said.

I said nothing. She had been the one with the directions.

“I can’t believe we’re lost in Splott,” she said.

The opening titles of a childhood science-fiction TV drifted into my thoughts. I couldn’t resist. “Lost in Splott,” I said, in a ponderous, solemn tone, drawing out the o in ‘lost’ and then again in ‘Splott’.

She gave me a blank look. “Sorry,” I said. I squinted through the rain-smeared windscreen again, searching for a street sign, or some other indication of where we were. Parked cars lurked by the kerbside. A general store, the window dimly lit from a striplight interior, beckoned with a distinctly unwelcoming open door. Shredded unreadable newspaper headlines fluttered in the wire-framed holders either side of the door. Yesterday’s news was gone, torn away by the rending rain-soaked wind.

Hunched over the steering wheel, I suddenly felt cold, as if the greyness itself was somehow seeping into my soul. I turned on the heater, racking the plastic dial around as far as it could go. The fan blew hot, stale air into my face. I turned the dial back down to a more delicate level.

Then we heard it, both at the same time, a collection of rhythmic whining notes; badly replicated music, allegedly designed to entice.

“It can’t be,” said my companion. I looked in the rear view mirror. There were parked cars on either side of the road behind us, but the middle was clear. There was nothing ahead of us either, except washed clean tarmac glistening strangely in the unreal light.

“It sounds like an ice cream van.” I laughed. The sheer hopeless optimism of the entrepreneur to venture out on a day like this was amusing.

“If we take a left and go down the next street, we can get back on track,” said my passenger, ignoring my grin. She was now scrutinising an A to Z, following yellow streets across the grimy page with her finger. “I think,” she added uncertainly.

I engaged the clutch and put the car into gear, moving slowly off. We indicated at the end of the street, for the benefit of no one but ourselves, and turned. The houses here were set back from the road slightly, with tiny paved areas in front big enough for two wheelie bins each. A drenched sofa sat bedraggled in front of one house, its cushions bulging, pregnant with rainwater.

I indicated again, meaninglessly, and turned into the next street, which seemed a carbon copy of the one we had been sitting in a minute ago. The pebbledash was greyer and the rain-edged roofs seemed lower and amorphous. I drove cautiously down the street, mindful of the rain’s distorting effect on my vision and that at any moment a near-drowned dog or cat might dash across my wheels.

We reached the end of the road without incident and looked left, then right. The road was clear.

“Which way now?” I asked.

My companion turned the A to Z around and began reading it upside down. “Hang on,” she said.

I waited. A snatch of metallic music, a peculiarly tuneless melody, seemed to whisper past us. “There’s that ice cream van again,” I said.

“Where?” She looked up from the map.

“I can’t see it,” I said. “But you can hear it. Listen.”

We listened. All we could hear was the low throb of the engine and the hard spatter of the rain on the car roof. I noticed steam rising from the hot bonnet of the car.

“I can’t hear anything,” she said.

“It’s stopped,” I muttered.

“Go left.” She pointed up the road. I turned left.

“When I first moved to Cardiff I didn’t really believe there was a place called Splott,” I said. It was a lame attempt at conversation with my passenger. She didn’t respond. Maybe she thought I talked too much?

It was true, though, that I didn’t believe in a place called Splott. “Splott?” I’d asked, in a voice too embarrassingly high-pitched to be manly. Then I saw it for myself, on road signs, and in the A to Z. My interest piqued, I’d asked where a name like that came from.

Most people shrugged.

It was just Splott. Always had been. Although some ridiculous people who were trying to gentrify it tried to call it Splow, although maybe that was a joke. ‘Hello, I’m from Splow’ had a rhyming resonance to it, if you could say it without laughing.

Left turned out to be a dead end – not signposted, of course.

“Oh, for… what’s wrong with your map?”

“There’s nothing wrong with the map.” Even I was unconvinced by my protest. The A to Z was old. But Splott was far older still. Not much should have changed, surely?

“Turn around,” she said, irritated, staring back up the street we’d just driven down. The street stretched behind us, greyly. It offered no clues as to where it led. Probably just another crossover of streets or a T-junction.

I didn’t have much of an option but to turn round. I did a multi-point turn between two parked Transit vans, trying desperately not to nudge either of them. I have a, not unfounded, fear of aggressive white-van-men and didn’t want anyone to shout at me. But I need not have worried. There was no one watching. Throughout our whole time traversing the dirty narrow streets we had seen about three people, all of them hurried and faceless, bent low against the rain, disappearing into doorways before we could accost them for directions.

We turned right, left, right again, then left again and found ourselves in the same road we started in, but further down, outside a chip shop that said ‘Open for Pukka Pies’ on the door, but was firmly shut and dark. We stopped and looked at the map together, wordlessly puzzling over how this network of interconnected streets could conspire to get us so thoroughly lost.

As we sat there, we heard the music again. This time louder and more distinct, a clanging bark set in a near-rendition of a Sixties pop song.

“Where the hell is that ice cream van?” asked my passenger, craning her neck to look backwards up the road. I noticed that her large hoop ear-rings were too yellow to be gold, and that her make up stopped abruptly in a line along her neck.

Her natural skin, beyond the frontier of the foundation was pale. It struck me that I knew little about her; just her name – Cerys – and that she had said she knew where our work colleague’s party was being held. We had worked together less than a fortnight and I had offered her a lift to this general invitation shindig because I had a rough address, but I couldn’t find the street in the index of the A – Z, so Cerys would be my guide. But she was as lost as I was.

“I don’t know,” I said. I felt light-headed, as if the drawn-out surrealism of this episode would never end. The music modulated in volume. It rose, then died, then rose again. It seemed to enter the car from the right, then from the left, enhancing the dreamtime quality of the moment.

I felt a slight shudder of panic. Not knowing where I was going I started driving. Cerys seemed startled. “Turn left,” she said. I missed the turn, as I was travelling too fast to squeal round the corner at the last second. The car threw up a curtain of water as we hit a concealed pothole. I slowed down. The music had gone.

“Sorry,” I said, and took the next left turn.

We travelled down the street and stopped at the next junction where the streets crossed. “Straight on,” said Cerys, pointing.

I hadn’t noticed before, but she had a stunning profile. The curved line of her forehead reversed its curve delicately into a petite nose that turned upwards ever so slightly at the tip. ‘Ski jump nose’ we used to call it, when I was in the bookings department, lining up models for the various photo-shoots. But beautiful. Her lips were small and smothered in too much lipstick that shone with an ethereal undeadness of applied gloss. A painted mouth of thin lips and false voluptuousness. As fake as my dyed hair and tinted contact lenses.

“We are so lost,” I said as I drove through the beating rain. The windscreen wipers squeaked and the side windows were fogged up. How much more rain could possibly fall today I thought, as Cerys began to cry, her mascara smudging faintly in the corners of her eyes.

“I’m sorry,” she said.

“No, it’s okay. It’s not your fault,” I replied. I was unnerved. By the rain, by the crazy-happy phantom music, by the endless streets, by the emotional girl next to me.

“I thought I knew where it was,” she said, and sniffed a beautifully disgusting delicate snort of nose liquid that captivatingly repelled me in its intimacy.

I turned into another right-hand turn without really looking. “Seriously, I-” Cerys screamed as I slammed on my brakes. We were both thrown forward as the car shuddered to a halt, skidding over the water and the greasy road. I recovered and stared up into the blazing headlights of an ice cream van. A shadowy – and to my mind sinister – figure sat high up behind the steering wheel, immediately below the illuminated signboard proclaiming ‘Ices’.

I put the car in reverse and moved back slowly. The ice cream van rolled forward, engine snarling as it revved, edging into the space my car vacated like a predatory creature facing down its target. Then, as my car rolled back far enough, the van eased past, released into an accelerating roar down the street, accompanied by a slowly fading jangle designed to entice customers.

I looked at Cerys. “You know,” I said, trying to sound kind, hoping that would make the smudgy tears stop. “I’m fed up with this. Let’s give it up as a bad job.”

She nodded mutely, wiping the ski jump tip of her nose with a much-used paper tissue that she had extricated from her floppy brown handbag. “If you think so,” she said.

We turned the opposite way to the ice cream van and within a minute reached a T-junction with a larger main road. “Left,” she said weakly. I turned and soon we were on a road I knew.

“Where do you live?” I asked. “I’ll drop you home.”

“Thank you,” she said. “Fairwater.”

The other side of the city. Bit of a drive “So, what did you do before the agency…?” I asked.

Turned out we had more in common than I would have thought. By the time we reached her home, the whole drama was just funny. We both did the ‘Lost in Splott’ voice, making the other laugh. Later, it became our thing, our story when people asked how we got together.

We had some good times, Cerys and me, in the two years we were together. But then life moved on, as it tends to, and I moved on to work in Bristol, and she cheated on me while I was working late with a long commute, and then told me it was over when I came home one hard rain night.

And I never went back to Splott, even with directions.

[1,993 words]

Friday, January 08, 2010

A personal view of the recently departed decade

I read a friend’s blog where she listed her personal decade – ‘what the noughties meant for me’, and it got me thinking. Things have been very different at different times for me in the decade that has just gone. I am definitely a very different person. So, it’s interesting to look back and see what has shaped me. Here’s a few of them.

Minimum Wage Hell (2001-2003)
Immediately after uni I set up a business with my wife Cathy, but way back in 2001 I got my first job where I worked for someone else: at UCI Cinemas. As a stopgap job it lasted longer than I expected. It was frustrating and boring, but occasionally brilliant. I learned first-hand that a far higher percentage of the general public are complete idiots than you would have thought. I made some great friends there, collected a fund of amusing stories, and did my final shift two years to the day I joined. UCI is now an Odeon, so this part of my life can never be repeated, really. (Which I’m not sad about.)

Cardiff Vineyard (2003-2006)
Although my Vineyard experience slowly morphed into more painful memories, I still remember the excitement of being in a small but vibrant ‘faith community’. Again, friends I made there have stuck with me. The generosity shown by some people still challenges me in what I do with life. And one Cardiff Vineyard phrase that has been hugely influential on my subsequent faith walk is ‘Let your heart be broken by the things that break the heart of God’. And of course, if I hadn’t been going to Vineyard I would probably never have replied for my current job…

Current Job (2003-current)
I’ve made it a policy to never mention the current place I work by name on my blog, because sometimes I talk about it in less than flattering terms. I work for a large charity and if you think that means it’s all fun and games, then just you try it!

But genuinely, there have been times here when I have felt in the right place at the right time. Doing what I do has opened up a whole ton of opportunities. I have progressed as a writer and earned recognition and payment for my x-trem skillz outside of work too. Which is useful, because working for a charity doesn’t mean I’m earning top-dollar, if you get my drift.

California (2004)
Our road trip round Southern California remains one of the highlights of mine and Cathy’s life together. The star-strewn skies of Death Valley reawakened a spirituality in me that I hadn’t even realised had atrophied. I learned so much about myself in just two days in the desert – particularly that when it comes down to it I like being hundreds of miles away from other human beings – that I would class it as one of my favourite spots on Earth.

Depression (2005)
I’ve always been of a melancholic bent, but in 2005 I got into a pretty bad spiral of negative thoughts that culminated in suicidal thoughts. It’s hard to describe depression without sounding melodramatic, but it’s a horrible cycle of thinking and you just can’t get it out of your head. Fortunately, I had a very good doctor, very good friends, supportive family. And Prozac.

Glenwood (2006-current)
My downswing into depression coincided with problems in Cardiff Vineyard that eventually led to the church ceasing to exist in 2006. At about the same time Brian McLaren did a day conference at Glenwood Church so I went along to hear him speak. He was awesome, and I encouraged Cathy and friends Ian and Viv to come along and hear him at the Sunday service.

They did and we all liked the service, so we decided to try a ‘normal Sunday’ and went the next week. However, the next week was the end of ’Holiday Club’ and was themed on an ‘Oscars night’. We enjoyed the service though and decided to come back and try a ‘normal Sunday’. But the next Sunday was something else again, so we decided to come back and try a… well you get the idea.

Eventually we realised (after about six Sundays) that ‘normal’ isn’t something that Glenwood does very often. But by then we’d been recruited by a friend to a new ‘life group’ and we were getting settled in. So we stayed. In Autumn 2007 I started helping out with the youth (who I now refer to as ‘my’ youth).

Significant Loss (2002, 2006, 2009)
We have faced some significant bereavements in the noughties. Back in 2002 Cathy’s Dad died as a result of an infection he picked up in Torbay Hospital. The subsequent inquest, as hospital staff covered their backs and tried to shirk responsibility, was extremely upsetting. I wouldn’t wish having to attend an inquest on anyone.

In 2006, Cathy’s Granny P (her mum’s mum) died. This time it was less of a shock but still very hard. I’d always had a good relationship with her and still miss her. Then last year my Granddad died after being incapacitated by a stroke for the best part of a year. I still can’t adequately explain how much that loss has affected me, because I simply don’t know. Occasionally I am ambushed by a memory or an overheard conversation and I’m reminded of him and I feel a weight on my heart.

Utah (2008)
My final staging point for the decade is in the summer of 2008, although, of course, plenty of things happened after it. But Utah marks a significant point for me because a) it was another amazing road trip, and b) I came off Prozac. I have been drug-free now for a year and a half, and despite last year’s bereavement, and some incredible stress at work and two winters, I have not gone mad or returned to the suicide-contemplating depressed state.

I think it was in Moab, driving next to the Green River down the Potash Road to look at ancient rock carvings that I suddenly realised I could see sunlight properly and joyfully for the first time in years. The serotonin-inhibiting drugs were washing out of my system, and the world was alive in colour and light. That memory is one of several from that trip that are etched on my brain. Utah has become my happy place because it’s there that I was able to experience happiness again unaided.

So that’s it for the noughties. Roll on 2020.