Silver plus one - celebrating with rock!

This year Cathy and I celebrated our wedding anniversary by seeing one of our favourite bands - Terrorvision - on our actual anniversary itself. It meant taking a trip to Wolverhampton but it was well worth it.

The gig was at KK's Steel Mill. It's a converted industrial building that's now a rock and metal venue and owned by a former member of metal band Judas Priest. It was a decent size, well laid out and the staff working there were absolutely lovely. 

The gig itself felt like a throwback to when we first started going to Terrorvision gigs back in the 90s (and before we were married!) Most of the setlist was from their first two albums - including My House and American TV. They also mixed in songs from their new album, We Are Not Robots, which we had received in the post last week and listened to a few times in preparation for the gig.

We Are Not Robots is Terrorvision's first album in 15 years and for me it feels like they recaptured their sound from 30 years ago. They have returned to what they do best - fast, guitar driven songs with catchy hooks in the choruses. 

As a band they have also literally grown. Three of the original members remain, but there were seven musicians on stage. Millie, who plays a lot of gigs with singer Tony Wright when he plays his own stuff, was on keyboards. They also had a trumpet player and a saxophonist who added some depth on several songs - especially on Pretend Best Friend. 

They did one song for the encore. It will come as no surprise to fans that they signed off with Oblivion. 

The merch guy said they don't know what the plans are yet for Terrorvision gigs next year, which implies their might be another tour. 2025 will mark the 30th anniversary of when Cathy and I first saw them live - at the old Newport Centre - and hopefully we can mark that anniversary by seeing them again. 

October 2022 round-up and review

Well, another month, another new Prime Minister. Time will tell whether this will be an improvement. At the moment it feels like more of the same corruption and cruelty. 

However, while the news was full of politics, our personal news was that we resumed gig-going after a few pandemic-filled years. I've already blogged about the gig we went to in the middle of the month in Manchester, when we heard Counting Crows return to form. At the end of the month, we saw another long-term favourite, when Tony Wright, the singer from Terrorvision, visited Le Pub in Newport on part of his acoustic tour.

Being a very small venue we could get photos with him afterwards. We also got him to sign a copy of his new album. 

And yes, he did play some classic Terrorvision songs including a thumping version of Alice, What;s the Matter? that had the audience singing along. 

Something I first noticed when we went to see Garbage in 2015 was that the audience of gigs from bands that were big when Cathy and I were in our early 20s all seem to have aged at the same rate as we have! This was no different. We were probably some of the young 'uns. 

I went to four football matches in October, starting with Shrewsbury's game away in Cheltenham.  

It was a disappointing game for Shrewsbury fans, but I did get to sit to my old school friend Chris who was there with his son.

On the way in I also noticed this well-stickered sign bearing labels stuck there by fans from lots of different teams 

(I actually tripped on the step on the way out of the ground. Despite this sign!)

My next game was another Shrewsbury game, at home against the team from Milton Keynes that are pariahs in the game. We went to this as a belated ninth birthday celebration for my eldest nephew, Zac. The game we had planned to attend nearer his birthday, in September, got cancelled after the Queen passed away. 

Quite a gang of us went, including my mum and Cathy as well. Zac had invited some mates along and they all got to meet Lenny the Lion.

My final game of the month was in Portsmouth to watch Shrewsbury again. I drove down the morning after the Tony Wright gig and met my friend Tom who moved there last year to do a ship-building course. We took the obligatory selfie with a sign for Fratton Park in the distance. 

Afterwards I realised I knew those two cops doing the high viz photobomb. One of them, Chris, grew up round the corner from me in Shrewsbury. 

I liked Fratton Park, which was both large and somehow quite open. We were behind one goal - with a decent view when play was down our end. We saw Portsmouth score in front of us. We almost saw Shrewsbury score too, from this corner. 

And I managed to capture the split second after a Portsmouth defender had cleared the ball with his hand. It should have been a penalty but the ref didn't see it. Everyone behind the goal did though!

The game finished 1-1, a creditable draw for Shrewsbury.

The fourth game I saw was Barry beating Llanelli, which meant Barry went top of the league! Here's hoping they can stay there. 

When do bands release their best albums?

I was in a discussion about the best albums released by various bands and it got me thinking how there is probably a numerical sequence of "best" albums depending how long it took for bands to reach their peak. This musing also gave me a reason to fish out some CDs...

There's a sequence here

Often a band's first album becomes the high bar all their other music gets measured against. There are good reasons for this - those albums are usually developed over a length of time, forged in difficult circumstances and without too much input from commercial interests. But for other bands it takes a while...

In terms of first albums, it might not objectively be their "best" album musically, but I personally don't think the Killers have bettered Hot Fuss in their subsequent output.

Similarly, the only Oasis album I can be bothered listening to is Definitely Maybe. Garbage's eponymous first album is their best, with their attempt to copy it (Version 2.0) and try to do something different (subsequent albums) never reaching the same heights.

However, some bands only break through with their second album.

How to Make Friends and Influence People is Terrovision's best album in my opinion and it was their second album. It is a lot more polished than their debut. The same could be said for Nirvana's Nevermind, if grunge could ever be called polished. That's the album that helped Nirvana break through into popular consciousness and it became the seminal grunge album as a result.

Parklife was Blur's third album. It wasn't just their defining album, but also became the album that defined Britpop. As a band they tried to move away from it and from Britpop in subsequent albums, but never quite managed it. 

Fully Completely was The Tragically Hip's fourth album. It's widely regarded as their pinnacle and was a lot heavier than the preceding three albums. The Hip then went in a radical new direction for their next album, Day for Night, trying to find a new distinctive sound.

The Joshua Tree was U2's fifth album released as they became the ultimate 80s stadium band creating the ultimate stadium anthems. My favourite U2 album is actually their eighth one, Zooropa. (People go on about Achtung Baby as well and that was their seventh album but I think the hype about that album marking a 'new sound' for the band is over-rated. Zooropa was the step beyond that a lot of fans didn't really engage with.)

Metallica's "black album" was also their fifth album. Purist fans might disagree but this is the album with mainstream appeal and meant Metallica became more than just another metal band.

The cover wasn't all black!

Diesel and Dust was Midnight Oil's sixth album. Beds Are Burning was the international hit, which is strange because the pure Australian-ness that came through that song and the album should have made it less accessible than their previous records. 

American Idiot was Green Day's seventh album and relaunched the band. I think its their best, and I say that as someone who bought Dookie back when it was new. The individual members of Green Day had been through a lot of problems and in some ways this album was a hard reset. It gained them a huge new audience of young fans and even inspired a musical.

Automatic for the People was REM's eighth album. The debate over which album is their best album could last all night, but this is the album with several singles that remain their most played songs. 

So those are some best albums numbered one through eight. Does anyone want to nominate a band's ninth album as their best?

Bonus picture - getting out my CDs I discovered a relic sticker of a shop that doesn't exist any more!

Some of the Christmas Cards from the 2021 ACCA

I've picked ten Christmas cards we received this year that stood out and have scanned them to share on here. First though, a couple of cards that literally stood out as 3D cards, that wouldn't scan. 

The card with Charlie Brown, Snoopy and the Peanuts gang on lights up and plays music if you press where it says "Press Here". Lights on the tree come on!

One of the first cards we received this year came from the rock band Terrorvision along with a copy of their Christmas single.

What makes it special is that the band have signed it.

I was a bit disappointed that the multilingual greetings didn't include Welsh.

I try to include at least one religious card in these showcases. This one ticked a number of categories on the ACCA, including the 'cartoon religious' theme.

It also has a line from a Christmas carol on the front. As did this next card. Sort of.

As a heads up, cards featuring puns feature strongly in this post. Despite having a carol-based pun on the front, this didn't get counted as a religious card.

Technically I suppose Saint Nicholas, also known as Santa Claus, could be counted as a religous figure. I really liked several of the depictions of Santa that arrived this year.

I sometimes feel like this juggling Santa, trying to get all the right presents to people.

This next one really appealed to me. Cathy pointed out that the artist, Karen Fjord Kjærsgaard, sounded Scandinavian. I looked her up and she was Danish. So that might be why this appeals so much.

And then there was this card from my Ozzie cousin, Trefor, featuring a surfer dude Santa.

The expression on the kangaroo's face made me chuckle. He looks like a mischief maker. 

A couple of years ago, Stewart caused me to redo my audit with a late entry and a note about being late. His card this year gets a place in this post because a) it has a dinosaur on, b) it has a pun on, and c) he made me laugh with the post script message after wishing us a happy Christmas.

Here's the P.S.

"PS - Isn't it funny that my whole family now have to suffer weird Christmas cards because of your blog!!"

Yes, it is funny. Also, I think this means that I am officially an influencer! (Now if only I could monetise this.)

We had a few Snoopy cards this year. I asked Cathy which one she wanted me to scan and she picked this one.

See, that could have been listed in the 'Dogs in Santa Hats' category. But it wasn't.

And so on to my final two cards of this post. Both were strong contenders for favourite card of the year. Both were puns and both featured... cheese. (Which seems punningly apt - after all cheeses is the reason for the season!)

Kitchen implements in Santa hats has never been a category. It might become one in future.

And here is my absolute favourite card this year!

It was sent to us by our friends Matt and Nikki, and is just brilliant. A posh cheese pun. What could be better?

10 albums

There's a thing on Facebook at the moment. People posting the 10 albums they feel are most influential on them. You're supposed to just post the pictures with no commentary, but most people can't resist a bit of commentary.

I thought it would make an interesting blog post, though. Which 10 albums would I pick? I've had a go, and included a couple of recent ones that will be influencing me for a while to come. 

I got obsessed with Midnight Oil in my teens and into my early twenties. I bought their entire back catalogue of albums and singles and anything I could get my hands on. I connected with them the first time I heard Beds are Burning playing on the Radio 1 breakfast show on the bus to school. Diesel and Dust was the peak of their success. I think what I liked most about them is that their songs were actually about stuff that mattered.

In school I got into rock. The next two albums were very big for me when I was 14.

Yeah, yeah, mock me all you want. But tell me Animal isn't a great 80s rock song. And New Jersey is stadium rock at its finest. 

I can't tell you how many times I listened to this next album in my first year at university.

I was also massively into the Eagles, round about the same time. Desperado was always my favourite Eagles album, and the one I would come back to again and again.

Then along came Cathy. She changed my life. So did this album that she introduced me too. It is one of the few albums ever produced where every track is solid. No duff filler to be seen.

Because I loved Midnight Oil, I bought a random protest single they recorded with a few other bands, including the Tragically Hip. That's how I got into the Tragically Hip. Fully Completely is another perfect album. I recite a section of At the Hundredth Meridian as my 'calm mantra'. 

Hot Fuss probably isn't the best Killers album. It has the best first five tracks though, starting with Jenny was a Friend of Mine and working up to All These Things That I've Done. Yes, there are other albums with great songs on. I love The Man off their most recent release. But Hot Fuss is where it all began and those first five tracks in particular are better than entire albums produced by lesser bands. 

This album is absolute gold even though it's only a couple of years old. We played it relentlessly on a summer holiday in Dorset so I associate it with hot long summer days, beaches and the sea. It is driving music, and relaxing music, and meal prep music, and background music, and foreground music, and everybody sings along music.

And onto the tenth album, and the most recent. Doom Days is Bastille's third album. OK, it doesn't have Pompeii on it, but it is a really solid listen throughout and their most musically accomplished complete album. We have played it a lot recently and I can't see me growing tired of it any time soon.

So, there you go. 10 albums. 

A dozen to end the decade - 12 cards from the ACCA '19

The Christmas Card Audit has been thrown into chaos with the arrival of a card yesterday, after publication, with important results-altering artwork. I will update that post shortly while bearing Cathy's admonishment that "I told you that you published it too early!"

Meanwhile here are some cards that arrived in time to be counted first time round.

I know some people send us cards just to see if they can get a mention in the Annual Christmas Card Audit blogpost. Talk about observation changing the system being observed! (That's a real known scientific principle, folks) Even more competitive are the people who go out of their way to pick cards they want to get featured in my eclectic selection blog post that follows the ACCA, when I scan the cards I want to mention, or liked the most. Some people even write in the card that they are doing this. It amuses me.

We've got some really cool cards here, and a few random ones. To kick off, this year I kept a note of "animals" cards that weren't deer, sheep, robins, penguins, bears, donkeys, llamas, dogs in Santa hats, or hares posing in the light of the moon. You'd think there wouldn't be many animals left. Well, I adored this hand-drawn piggy in a Santa hat.

The numbers are meant to be a countdown to Christmas, I think. Anyway, I thought he was great, and I'm including it here even though Anna only addressed the card to Cathee [sic].

Another animal, and this was a first for us, was a Christmassy narwhal.

What's Christmassy about a narwhal? Well there is that carol, isn't there? You know the one I mean! The First Narwhal! (Grooooaaaaaaannnnnn.)  I also liked this card because he has a googly eye. You can't beat googly eyes.

Cathy and I both gave each other cards featuring animals celebrating Christmas. See if you can guess who gave who these.

Deer or reindeer have their own category in the ACCA every year because there are so many of them. But this was new, and also won the 'Most Scientifically Accurate and Educational' category.

Cathy's cousin Adam blessed us with that. At first I thought it was showing us cuts of meat off a reindeer, so I was a bit relieved to see it was "just" the skeleton.

Speaking of scientifically accurate cards, this rainbow is slightly colour deficient. However I did really like it. I think "Yay! Christmas!" is probably the best wording on a Christmas card yet.

Santa wasn't very popular among the cards we received this year, but I quite liked this glittery card of Santa (or several Santas) learning to ice skate. The one bottom right is saying "I've fallen, and can't get up."

Time for the obligatory religious card in this selection. It is sometimes a struggle to find one worth including because they are often so boring. Cathy noted this year they almost all seemed to be exclusively in a blue palette. However, there was one that stood out, that was handmade by our friend Ailsa. It's a kind of batik and shows the magi following the star.

Another Christmas tradition is the special Christmas song. Terrorvision released a belter of a Christmas song this year and when Cathy bought the download, the band sent her a Christmas card as part of the deal. Had to include it here!

One person who made it very clear they were aiming for the blog post when she gave us this card was my sister in law, Abby. To be fair, this was an excellent card as she knows how much I love the Statue of Liberty. I thought this was very cute, so there you go, Abs, if you're reading this, you made it!

And finally, we have always had an ACCA category of "Christmas Food". Usually, it's puddings or mince pies, but this year it was exclusively sprouts. First off, we have Chris's effort which he claims he picked to try and get sprouts as a category in the ACCA. It was also slightly vulgar and the first card I've ever had that wished me a "Merry Fartmas". The sprout in the middle is on a small spring for that 3D effect which doesn't scan very well.

And then, the card that ticked the most boxes this year. Terrible pun - check. Personalisation - check. Welsh greeting - check (the only Welsh card in the ACCA this year). And it's the other sprout card, this time from our friends Sara and Leanne.

And that's the dozen for 2019! Thank you so much to everyone who sent us cards and newsletters this year!