I was absolutely delighted when Creeper announced their short autumn tour and my locallest venue was on the list. They are a band I have really fallen for this year and going to a gig that's walking distance from my house was brilliant.
Creeper's frontman William Von Ghoul promised theatrical vampire horror metal and we got it, along with a coffin, a guillotine and a throne decorated with skulls - several bulky props on the Tramshed's limited stage.
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| Prepping the guilloutine |
There were two support bands. I arrived shortly after the 7pm doors opening time to find one of the bands, Starburners, had started their set. I liked their sound, which was heavy gothy and rocky.
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| Starburners |
The second support act, Calva Louise, played Latin American inspired scream metal. They were alright, but either the mix was bad or my hearing wasn't up to it because it felt ragged. I wasn't as keen on their set as Starburners but I liked the lead vocalist who also played guitar and keyboards and talked to us about her move to the UK from Venezuela.
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| Calva Louise |
Before the main event, a curtain was raised to hide the stage. Then we were treated to some back-projected theatrics as we were told that the show was being censored. This was greeted with loud boos until the censor was brutally axed to death.
The set started with Blood Magick and the crowd were into it straight away shouting "Drink the blood!" at the appropriate points. Incidentally, this is the first gig where I've been offered (fake) blood, from one of the many vampires in the audience. Some people went full on with the make up, other made do with a splash of blood on their chin.
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| The Mistress of Death appears |
I had a decent spot right in the middle of the crowd, but during the third song a 'wall of death' opened up and I moved off to one side. The sound mix was unbalanced for me after that, which I think is a thing at the Tramshed. The sound is great right in the middle but deteriorates as you move to the side.
I ended up quite close to the front so got a really good view of the theatrics that preceded Razorwire. The female vocalist, Hannah, who sings that song emerged from a coffin. I like that track, it's a burlesque lounge piece and Hannah was dressed to match.
I was surprised they didn't play the song Mistress of Death considering the Sanguivore theme is all about her. I also wished they'd played Chapel Gates off the first Sanguivore album.
William got guillotined at the end of the set but reattached his head for the encore - three songs from their pre-Sanguivore days. The crowd's enthusiastic response to the early stuff seemed to genuinely move William who thanked us for a great night and said how Cardiff had given them some of their most special nights as a band.
And that was my first Creeper gig over. The vampires in the audience melted into the drizzly night along with the rest of us.



























































