Star Wars Day 2021 - disturbed by the Force

When Star Wars was first released (as Star Wars - the A New Hope title came later), it was a standalone movie. It's well known that George Lucas borrowed heavily from storytelling theory and other sucessful movies to craft a self-contained story about a hero plucked from obscurity to rescue a damsel in distress, aided by a magical mentor and two bumbling servants, to triumph against all the odds over the forces of evil. 

In that sense, Star Wars is a perfect film. With ground-breaking special effects and enough fantastical aspects to the plot to keep things interesting, the movie was a massive success. That meant there was a hunger for more Star Wars stories and soon comic books, novels and a now-legendary Holiday Special filled the gaps until the first official sequel movie came out. 

One problem this has caused is the development of a lot of extra material. Sometimes known as 'lore', the extra details found in the books and comics, like the make and model of the spaceship the heroes travel in, and new characters introduced add to the complexity. In addition to the three movies of the "Original Trilogy" were some cartoon series and two spin-off movies featuring the Ewoks who were the cutesy, gutsy additions to the Star Wars universe in Return of the Jedi. These extra creations are now available on Disney Plus. 

Every so often new movies have come out and these have caused problems with various aspects of the 'lore' so that leads discussions about what events and people are 'canon' or not. When Disney bought the rights to Star Wars they ruled that the timeline that had been established after Return of the Jedi was now non-canon, and rebranded it as 'Legends'. They have subsequently relocated established characters, like Grand Admiral Thrawn, in the 'canon'  as characters in TV series.

Some of the books that I really enjoyed reading, like the X-Wing series by Michael A Stackpole, and the stories found in the comic books like Dark Empire, are now in the grey zone of Star Wars Legends, rather than being canon. I have mixed feelings about this. In one respect it doesn't matter. However, it does mean I don't take anything for granted. There are rumours that the most recent sequels are going to get rebooted soon.

But, I have started to grow ambivalent about Star Wars. It stems from working my way through the canon, particularly watching the Clone Wars cartoon series. There are lots of unanswered questions in that series, set 20 years or so before the events of A New Hope, revolving around the Jedi, their role in the Star Wars universe, and whether they are the righteous warriors I was led to believe.

One of the questions I have regarding the Clone Wars, is why are the Jedi automatically generals? Who decided they were equipped to lead? Generally speaking they are terrible at it. Huge numbers of clone troopers die in almost every episode. Too many decisions are made in defiance of orders, which in turn seem to be made for the sake of being made. 

The Jedi are committed to saving the Galactic Republic. So that leads to a deeper question - was the Republic worth saving? Presumably it is meant to be a good thing, but it's a huge bureaucracy and the taxation levels must have been off the charts. The Separatist mistake was having an army of conquest. They would have been better off using their army to protect worlds that joined them and enforce trade routes and so on, because these seem to be the main issues in the Star Wars glaaxy.

Which leads to another question, why are all these planets dependent on outside trade anyway? Planet after planet is under threat during the Clone Wars from blockades. The people of the Republic are routinely shown to be running out of food and medical supplies, and dependent on the hero Jedis turning up and rescuing them. How can people live on these planets without having their own means of production? Presumably at some point each planet was reasonably self-sufficient.

Most of this could just be explained as bad storytelling. But it's the wider arc of the story that has the biggest problems. Specifically, are the Jedi good? Many of the defining features of the Jedi focus on their deliberate attempt to be detached and emotionless. That's a fairly common element in the Clone Wars cartoon series. They are supposed to be peacekeepers and protectors but almost gleefully accepted their roles as generals in the army of the Republic. We never see a big debate about this, or a schism between Jedis who don't see their role as warriors.

I'm not the only person who has started to question the character of the Jedi as presented in the Star Wars films. In this article, 'Hang the Jedi', Jay Allen points out something quite chilling about the introduction of the Jedi in Star Wars.

The first time we ever see the power of the "light side" of the Force is to psychically dominate a security guard. The first time we see a lightsaber in use, it's to maim someone in a bar brawl. It's the "elegant weapon" of a man so feared that his battle cry sends the local people scattering.

Small wonder, given that his apprentice slaughtered those same people indiscriminately and without repercussion.

This man, Obi-Wan Kenobi, pines for a time when he and his brothers roamed the galaxy, meting out their unaccountable rulings as emotionless judges and executioners— when not using their powers to cheat at dice.

That post goes on to point out that the Jedi don't do anything to challenge slavery because it would be 'interfering', or to challenge the domination of sentient machines by organic beings (which is one of the most interesting subplots in the recent film, Solo). There is a good discussion to be had about exactly why the galactic population appears to be illiterate and there is no functioning media. Whose interests does that serve? Why aren't the Jedi champions of education? 

As an aside - there is a school scene in the recent series The Mandalorian and it would appear that schooling is something that has been reintroduced for children following the Galactic Civil War.

Another aspect of the original Star Wars film that deserves a second look is something that is written in a slightly tongue-in-cheek way in this article: The radicalization of Luke Skywalker. There are some good points made in there - particularly about Obi Wan Kenobi telling a version of the truth about his father that is later revealed to be a lie. Kenobi doesn't tell Luke everything he needs to know about the Force, and neither does Yoda, which later in Luke's life and the Star Wars Saga has disastrous consequences when Luke tries to train his nephew as a Jedi. 

So, where does this leave me, as a long term fan of Star Wars? It was a story that brought me hope through wonder when I was a dislocated seven year old, a film that seemed to be imbued with deeper, more spiritual meaning, and ultimately being Star-Wars-without-the-Force was one of the many, many things I found defective about the film Rogue One.

Maybe I've gotten older and more sceptical. I'm not taking as much on faith these days. It seems sensible to question the motivations of those who claim some kind of leadership role, which they might not be suited for, and who claim some kind of deeper knowledge, that comes with its own dark side of deception and desire for power. 

Or maybe I haven't grown up, and I can write a lengthy blog post analysing areas of doubt in something as if it were real and important, because to me it is real and important; it's a certain point of view.

Chewbacca, the overlooked hero of the Star Wars films

Cathy has complained that my review of The Last Jedi didn't mention Chewbacca once. Chewie is one of her favourite characters, and although this sounds insulting, she likes it when I remark on the comparisons between them. Like Cathy, Chewie is loyal, dependable, smart, isn't overly talkative, and is very strong.

Trading card pose!

Sadly, Chewie is also frequently overlooked. It's a famous running gag that there is no medal for the wookiee at the end of Star Wars: A New Hope. Surely with all the different edits that have happened to that poor, oft-butchered film, they could have put in a sequence where a medal is dropped round his neck and then CGI-d onto him when he says 'RRRRAAAAWWWRRRR' at the end. (Trivia quiz answer - he is the last character to speak in A New Hope.)

Then in The Force Awakens, he sees his long-time buddy / boss / best friend killed in front of him, but when the Millennium Falcon lands back at the resistance base, Princess Leia, who had hugged him earlier as if they were besties, ignores him and hugs Rey instead. Rey, who she has hardly heard anything about, much less never met. Surely, Chewie deserved the hug more. Cathy was sort of outraged about how he was snubbed here. Although I have suggested that maybe Chewie was concerned about the grievously injured Finn at the time. I'm sure once Finn was in sick bay, Chewie would have got the hug he needed, probably off-screen, because he's a proud wookiee and doesn't want people to see him grieving. (Cathy isn't buying any of my explanations, by the way.)

So, does Chewie deserve more respect from the Star Wars writers? I think so. Chronologically we first see him in Episode III, fighting to protect his home world of Kashyyyk. He is part of Yoda's honour guard, helping the old jedi survive Order 66. In A New Hope, he sets up the deal with Obi Wan to get him and Luke passage to Alderaan. In Empire, Han entrusts Leia to him. In Return of the Jedi, he wears shackles to give Leia a reason to enter Jabba the Hutt's court in a rescue attempt to spring Han.

Throughout the movies, we see him as Han's conscience. In A New Hope, Han gruffly tells Chewie that he knows what he's doing as he loads the rebel money onto the Falcon. Clearly Chewie wants them to stick around and help the attack on the Death Star. In The Force Awakens, he gives away Han's bluffing when Han is trying to lie his way out of a showdown with the gangs he has taken money from.

"I know what I'm doing!"

He's not just Han's conscience though. He is loyal to a fault. When Han starts running down a Death Star corridor after a squad of stormtroopers, he doesn't hesitate and follows them. In the Special Edition of A New Hope, Han finds Jabba and various goons at his ship (including Boba Fett on some sort of retainer), and Chewie is there and ready to back him up. Chewie is the pretend captive when Luke and Han go looking for the Princess. He follows Han out of the Falcon to look for mynocks. As I mentioned he ends up in Jabba's dungeon, where he holds onto Han like a protective mother when the two are reunited. There's no question he's going to Endor even though Han hasn't volunteered him and he's clearly annoyed that Han wanted to protect him. And so on, and so forth. No wonder he ends up hunting rathtars.

And he does have key parts to play in The Last Jedi. First he gets Luke's attention by kicking in the door of his hut. That's played for laughs in the film, but lets not overlook his commitment to supporting Rey after Han's death - even to the point of kicking in the door of the last known jedi master at the risk of seriously angering him. Then he shows off some badass piloting skills to evade the First Order TIE fighters over Crait and play as much a role in saving the last few sparks of the Resistance as Rey did. And he even managed to do that with a ship that seems to have become infested with porgs that get in the way at inconvenient moments. It's not the first time he has piloted the Falcon at key moments. He was the wookiee ex machina who saved Rey and Finn as Starkiller Base shattered around them at the end of Episode VII. (He really should have got that hug!)

I think the case is made for Chewie being the overlooked hero. Literally, on-screen in A New Hope and The Force Awakens, and generally in the trilogy. With a Han Solo spin off movie due this summer, we can only hope that Chewie gets to play a major role.

A dozen Christmas cards that featured in the 2016 Christmas card audit

We got 90 cards for Christmas 2016, which was a bit of a drop on the previous year. I've picked out 12 that I liked or that illustrate some of the new categories added to the audit.

Firstly, I separate out the religious and non-religious Christmas themes. To illustrate what counts as 'religious' here are three designs that all appealed to me.

Despite there being a large proportion of religious cards, very few cards mentioned Jesus by name. This one was one of only 3.

Technically that card should be classed as an Epiphany card rather than a Nativity card, as it features the Kings not the Shepherds. The Nativity comes in all shapes and sizes, but is best when small children play dress up.

There are, however a plethora of other themes that 'look' Christmassy enough to go on a Christmas card. Penguins are often popular. This year, though, the sub-theme for penguins was 'penguin couples cards', like this one:

Charity cards are another aspect of the audit and we always have a high percentage of cards sold in aid of good causes. This year one of my favourite cards was raising funds for Ty Hafan. In terms of a design theme, this comes under 'Christmas food'. It particularly like that it is bespoke and has their logo on the design because a lot of charity cards are very generic.

Every year we find new charities in the list. I think this year was the first year we had a card raising funds for The Donkey Sanctuary. It pleased me that it featured donkeys.

Other animals got a look in too. We didn't have any dogs in Santa hats this year, more's the pity. However we did have sheep in woolly hats instead.

Bears are also always popular. They don't have to be polar bears, although I just couldn't resist this chappie in his Christmas jumper.

I mentioned in my post about the audit that one friend tried to find an unclassifiable card and failed. Special mention for him though, his name's Chris and the card he sent had a pun on it about a moose named Chris. Which I think could be a contender for most obscure category - puns involving the card sender's name. This got put into the deer / reindeer theme, which covers all antlered animals.

A new category this year was unusually shaped cards. The scan cut off the bottom of this mug of hot chocolate, but I liked it for the handle you could hold to make it look like you were holding a mug.

And finally, we had a new category this year of licensed characters on cards. First up we have Snoopy, playing the part of Santa with Woodstock getting in his way as he goes about his stocking-filler duties.

And, then there's this. I have no idea where my wife got it from but it's the best 'Husband' Christmas card ever.

Star Wars: The Force Awakens - 5 likes, loves and mehs

SPOILER WARNING

Seriously. I'm going to talk about the plot of Star Wars: The Force Awakens.

Still here? OK then. The first paragraph is a bit of waffle just to push any spoilers below the line.

So, some of my predictions were reasonably close to what actually was in the film. I was very nervous going to see it. Star Wars means a lot to me - I have had an emotional connection with it ever since seeing Return of the Jedi. So I wanted The Force Awakens to be good. I had high hopes but was overcome mainly with relief after seeing it for the first time. I've now seen it twice and it was just as good second time around, although it seemed to go faster when I knew what was coming. I plan to see it again at some point. I imagine there will be other people watching it a few times - this probably explains the record-breaking opening weekend take.

So, as a review, here are 5 things I loved about the film, 5 things I liked and 5 things that were a bit 'meh'.

Five things I loved

1) Rey.
She was a great character. Not a princess in need of rescuing. Clever, resourceful, outspoken, independent ("Stop taking my hand," she shouts at one point when Finn does the 'hero' thing and grabs her hand as they run away from bad guys.) Clearly she will be the pivotal lead in the next two planned films. Her "That's lucky" when Finn tells her how he escaped from tentacled alien monsters is probably the best line in the film. And she speaks Wookiee and astromech droid.

2) 'Human' stormtroopers. 
Finn is a stormtrooper affected by the carnage of his first battle and a comrade dying in his arms. After he turns against the First Order, other troopers take it personally as a betrayal. Which they would. The stormtroopers are actually characters here. Again, one of the best moments is when two of them are aware an angry Kylo Ren is smashing up a room and do an about face to patrol in another direction. Comedy, but also showing a bit more smarts than previously.

3) Han and Chewie.
The greatest on-screen partnership of all time? Probably not. But great to see them back in their element (trouble). I liked the idea they had been hunting for the stolen Millennium Falcon. The 'Chewie, we're home' line from the trailer worked well in the film. The pair's conversations - you only ever hear Solo's side, but you know Chewie is correcting his lies - are very funny. As with he original films, Han gets all the best lines.

4) BB-8.
I wasn't sure about BB-8 beforehand. I suspected he might be another Jar-Jar - just an annoying comedy character. Instead he captured the spirit of the original films, which also concentrate on the travails of the droids. His 'thumbs up' to Finn caused plenty of laughter in the screening we were in on the first night. Overall he worked really well as a small droid with big personality.

5) The nod-backs.
There were plenty of these - Finn finds the training remote in a store box on the Millennium Falcon while looking for a first aid kit. Admiral Ackbar and Nien Nunb get walk-on parts. For the first time a Bothan is shown on-screen. There's a bar full of various scoundrels and low-life with a band playing. It's not Figrin D'an and the Modal Nodes, but it's reminiscent.

Five things I liked

1) The continuation of the story.
Most of this is told in minor details dropped into conversations. We get that Luke tried to refound the Jedi order. That Han and Leia's force-sensitive son Ben joined the order, but was corrupted by 'Lord Snowke' and became Kylo, leader of the Knights of Ren. As Kylo Ren he is now seeking to restore the work of his grandfather, Darth Vader. Han and Leia's relationship broke down at some point - possibly because of Ben's fall to the dark side. Luke, meanwhile, blamed himself and set off on a quest to find the first Jedi Temple. It is the search for Luke that provides the 'quest' for this story as he is needed to lead the fight against the First Order.

There isn't a huge amount of detail there. Who are the Knights of Ren? Where did Lord Snowke, the Supreme Leader of the First Order, come from? How did he corrupt Ben Solo? There are lots of unanswered questions, before we even get to the new characters. Although, you don't need the force to know that Rey is somehow also going to be related to the Skywalker family.

2) Battles.
There are several land and space battles, with a conspicuous lack of the CGI that made the prequels look like computer games at times. Obviously the usual tropes apply. Heroes are immune to blaster fire or explosions, while stormtroopers may as well have targets printed on their chests. What is noticeable is that we have a strormtrooper death scene involving blood - a real person has died - but Saving Private Ryan this is not. Anyway, the battle scenes add to the overall action content of the movie, which probably has fewer slow scenes than any of the first six episodes.

3) The humour.
Rey and Finn, Han and Chewie, Han and Rey ("Are you offering me a job?" "I'm thinking about it.") Han and Leia ("And don't say the Death Star") Han and Finn ("Sanitation!?!?") C-3PO popping up as an awkward, dorky interruption during a 'moment'. There are good lines aplenty and sparks between all the main characters. Even the tentacled monsters loose on a spaceship segment is played for laughs. I also liked the bodged escape in a TIE Fighter.

4) The ending.
I predict the jury will be out on this, but I liked the ending. It sets up the next film well and we end with Rey appealing for help with an expression of hope and wonder and fear on her face. Did I mention that I love Rey?

5) The different stormtroopers.
We get different uniforms in the stormtrooper squads, there are flametroopers, snowtroopers, and so on. We even see some different hardware with one stormtrooper using a hand to hand electric hammer thing for close combat.

And five things that left me a bit meh

1) Chewie gets left out again.
So this is really Cathy's comment, but after Chewie and Rey return with an injured Finn and no Han to the Resistance base, Leia hugs Rey and ignores Chewie. Come on. Chewie has been Han's sidekick for 40 years at this point. Surely she should have consoled him first, not some girl she's never met before. I have tried to persaude Cathy (and myself) that this would happen offscreen as Chewie is a private Wookiee and wouldn't want to grieve publicly. But we're not buying it. It's the whole 'Why doesn't Chewie get a medal?' from the end of Star Wars all over again.

2) Captain Phasma
Billed heavily before the film as a key character, she gets a couple of scenes and is then left unused. She is even disposed of off-screen. Hopefully she will be back in Episode VIII with a grudge against Finn. I felt this was a missed opportunity.

3) Kylo Ren's mask.
It was initially hinted at that he wore this to hide some disfigurement. But he doesn't. It just seems to be for effect. And it was a bit crap really.

4) The Supreme Leader / Lord Snowke
Who is this guy? Why is he so badly disfigured? Is he human? Who really cares. At this point, the trope of having a fearsome leader you have to go and cower in front of has been overdone, not least in the Star Wars universe. But the Supreme Leader really reminded me of Thanos in the Marvel Comics films. He sits there being all scary like, but doesn't seem to actually do anything himself.

5) Han's death.
I honestly always felt Han Solo would die in a blaze of glory. Yes, the scene is emotional, even though you know he is doomed as soon as he steps on the bridge. It does feel there is a possibility that Ben will relent and renounce the dark side. But you know it's not going to happen. I heard one comment that this scene is unsatisfying because it feels like Han is suckered in, but I think that's unfair on him really. Ben is caught on the cusp of fully succumbing to the Dark Side and Han is there with him. One note, though, Chewie wings Ben with a bowcaster bolt while Ben is on the bridge. Now, given that previously the bowcaster was blowing stormtrooper up, surely that was a much smaller hit than it should have been. Ben should have at least lost a leg.

6) And a bonus one...
As mentioned throughout this long post, there are lots of unanswered questions. How did Maz get Luke's lightsaber?  (What happened to her by the way? She just seems to disappear.) What's the deal with the map and the missing piece - what kind of cartography is that? Why does Rey go to find Luke at the end and not Leia?

There are also lots of the usual plot holes. Veteran movie critic Roger Ebert has pointed out that given the size of Starkiller Base the way the main characters seem to cross paths so easily, it may as well have been a submarine. I've already mentioned how stormtroopers are easily picked off while heroes can dodge through strafing TIE Fighter attacks. But this is Star Wars. It's always been like that. It's one of the reasons I love it so much. Because it isn't real; it's make-believe. We can suspend the scepticism and suspicion that cloud our days and just enjoy ourselves.

And then, maybe, the force will be with us.

The long coat – a popular choice for scoundrel starship captains and space adventurers

It occurred to me the other day as I watched a small bit of Farscape on one of the outlying satellite channels that long coats seem a popular choice in outer space.

This is possibly because they swish behind you a bit like a cape without being as obviously dorky as a cape. In several deep-space adventures capes are only work by bad guys, so there’s that to contend with as well.

So, where did this all start? Thinking about it, Han Solo wears a long coat when he leads the rebel strike team on Endor. Admittedly this is a badly-fitting semi-camo trench-coat that looks like it was bought in a mall somewhere, but it’s the first long coat worn by a sci-fi hero that I can think of.

No one else in the team wears a coat like Han’s. He seems to favour his own gear over military issue. He does the same thing on Hoth, wearing a blue parka, while Luke wears the same uniform as all the other rebels. On Endor, Leia and Luke are dressed like the rest of the team. Han obviously feels the need to be flashy and different, by wearing his own ‘Big Easy’ style trench-coat.

Moving on to the 90s and we have John Crichton, the main lead in Farscape, sporting a black leather coat that in the context of the show is part of a Peacekeeper uniform. Several of the Peacekeepers wear coats like this as well, so the long coat is well established in the series as something worn by heroes and villains.

John isn’t a Peacekeeper; he is a lost Earthman on a living spaceship surrounded by hostile aliens, some of whom become less hostile and eventually become his friends. I don’t know when in his adventures John started wearing this coat, but he looks good in it and that’s the main thing.

Moving on a few years to the early noughties and we have Firefly, a short-lived show that has gained a cult following (I love it to bits). The coat worn by ships’ captain / smuggler / former soldier Malcolm Reynolds is greatly significant – it’s a ‘Browncoat’, part of the uniform of the defeated separatist forces that Mal fought for.

Wearing the Browncoat is Mal’s sartorial declaration that the war may be over but he has not surrendered. The term Browncoat is part of the fan’s lectionary. Rarely has an item of clothing been so important to the functional make-up of a character, or a whole series.

And to bring this bang up to date, we have Star-Lord in Guardians of the Galaxy. Star-Lord has two really neat coats in the film: A long coat, worn in the bombastic opening sequence, and a neat short red leather jacket worn at other times.

Star-Lord’s long coat accentuates his swagger as he attempts to rob an abandoned bank vault at the beginning of the film. It’s a scene that defines the character – unafraid, resourceful, tricksy and fun. The coat helps greatly in the introduction to him.

Looking over the long-coat-wearing characters here, there are some major similarities between them. They are all fiercely independent. They all operate outside the law, while still being relatively moral in their actions. They have an internal code they live up to. They are brave, willing to take risks for a long-shot at rewards. They don’t take crap from anyone. They are handy in a fight, but would prefer to smart-talk their way out of trouble. They inspire loyalty in their followers or crew.

And they all wear long coats.

It’s something I’m going to bear in mind when I next go coat-shopping.