Reflecting on 2021 - films and TV

I saw three films in the cinema this year. They were, in order, In the Heights (which was fantastic - I blogged about it shortly after we saw it), Scoob! and Dune. I was going to write an extended review of the latter, but didn't get round to it in the recent busy weeks. 

Broadly speaking, I thought Dune was an excellent capture of the essence of the book. I realise if someone hadn't read the book then it might be hard to follow. But, you know what, the book was published over 50 years ago so people have had plenty of time to read it. For once it was nice to watch an adaptation that didn't dumb it down for the non-reading masses. My only criticism was that it had a score by Hans Zimmer, whose one trick is big, blaring atonal noises to signify vastness. It could have done with more subtlety, because everything is vast in the Duneiverse so there were lots of atonal blarts throughout the film.

Similarly, Scoob! played to the fans. I especially liked the cameo appearance by Captain Caveman. The little kids who were with us watching the film seemed to like it too. So, all in all, that was a decent film as well. 

We have also seen some new films via the streaming services as well. We watched the new Disney animations Raya and the Last Dragon, Luca, and, on Christmas Eve, Encanto. All of them felt like tick the box Disney stories. None really had anything particularly that stood out. I did laugh at Luca's creepy uncle who lived in the ocean deep and therefore was see-through. 

I think the best new release I saw on a streaming service was Free Guy. There was one scene in particular that really moved me. I blogged about it back in October. 

We also watched the two new Marvel releases, Black Widow and Shang-Chi and the Legend of the Ten Rings. They were OK. I don't feel they added much to the Marvel Cinematic Universe (MCU), and in the case of Shang-Chi, I was mainly left wondering how many other mythologies being real and hidden worlds within worlds there can be in the Marvel canon.

Turning to TV, though, and there have been four series set in the MCU. I would rank them in order of quality as Loki, WandaVision, Hawkeye, The Falcon and the Winter Soldier. All the series are trying to move characters on into the story arc that is taking over from the Avengers story arc of the last 10 years. WandaVision was a tease for the first few episodes, which Cathy found annoying. In a later episode it included a memorable comment about the nature of grief, which prompted me to blog.

Loki was similarly focused and introduced the idea of parallel universes and divergences in timelines. It was quite clever and I enjoyed the other versions of Loki that cropped up. (Aligator Loki being my favourite.) Hawkeye was released in the run up to Christmas and was suitably seasonal. It introduced some new characters, including a villain who may become relevant in the rest of the MCU.

The Falcon series couldn't decide what it wanted to be. Was it a series addressing race issues, or addressing fascist responses to displaced peoples? Were the terrorists the bad guys, or the good guys? Unfortunately I found the terrorist leader to be completely unbelievable as a character and the show itself veered between the peril that the Falcon's family might lose the family fishing boat and shadowy figures manipulating events on a global scale. 

Two series on Netflix that we really liked, Kim's Convenience and Atypical, came to an end this year. Both opted for sweet endings with unresolved storylines left hanging. In Atypical almost all the characters got a happy ending that meant they would be embarking on an adventure somewhere. It was both satisfying but sad that in a way the characters were going off and doing something else and we wouldn't see what would happen to them. That is how life works though, with people moving on and living a life invisible to us. 

We also rewatched a lot of TV. We watched the entire run of Frasier, most of which was still very good, years after it first aired. We watched most of Cheers, which hasn't aged as well. We watched all 8 seasons of Castle, which got a bit wrapped up in its story arcs and then bodged the ending of the final season with a tacked on scene that didn't work. 

Towards the end of the year we started rewatching Futurama. One or two episodes have been uncomfortable to watch, showing how much things have changed in the last 20 years. However, most of the jokes have made me laugh.. for the umpteenth time. And the episode with Fry's dog, well, I knew it was coming, but dammit, I still choked up at the end! 

That's the mark of good telly - that it can still hit you in the feels even though you know it's gonna hit you in the feels. 

I may have jumped the gun on this review as the first episode of The Book of Boba Fett is about to drop on Disney Plus. But I will save that for a future review post.

Torchwood goes west (big mistake)

Although other people have said some favourable things about the new Torchwood series that started last Thursday, I was less impressed.

First off, this was an 'establishing' episode that only really existed to take you to the next episode and explain how Captain Jack, Gwen et al end up in America. As that kind of episode it was done to an okay level. Quite why a black ops helicopter was trying to blow the crap out of a house on a beach in Wales where Gwen and Rhys were holed up was never adequately explained, but presumably it will be. Also the casting of Bill Pullman (who has aged significantly it seems) as a creepy child-murderer could well be inspired (and is a bold role for anyone to take on).

But - and it's a big but - nothing actually happened or got resolved in the episode. There was one exceptionally gross scene where they detached a head from a barely living charred corpse, and the head remained alive. But no answers. Only a very long teaser for the rest of the season.

I don't mind TV series having story arcs, although too-rigid story arcs killed The X-Files, Alias, even The West Wing in the end. The problem an episode that is all about the arc and nothing else really happens is boring in the extreme. Exhibit A: those X-Files episodes that just seemed to be mysterious characters sitting round tables smoking cigarettes talking about codenamed projects. Snore off! You want to see some kind of conclusion in an episode, even if the conclusion is open-ended so the bad guy can return to wreak havoc later.

For me, the emphasis on a story arc instead of having a story is a minus for the new Torchwood.

So is the relocation of the series to the USA. I recognise why they're doing this - the American TV audience. It's the same reason the news series of Doctor Who unnecessarily kicked off in Monument Valley in Utah instead of the Rhondda. But it misses the point of what made Torchwood interesting to start with.

If I wanted to watch overblown science fiction in an American setting I could tune in to repeats of the X-Files, or watch more of the new series of V. There are enough good programmes made in America already to satisfy my lust for all things American - Castle, Chuck, The Big Bang Theory, to name a few.

What made Torchwood fun was that it was set in Cardiff, and, okay, that might be because I live in Cardiff and location-spotting was amusing. But it also set it apart from just about anything else in the schedule. Turning it into an American-based drama removes the one thing that made it a must watch for me. It will be hard now to pick it out from a line-up of similar, high-end, slickly-produced, drama serials.

I think trading the dorkiness of being based in a little big city that few people have ever heard of for trans-Atlantic bright lights is a big mistake. So far no amount of aliens, government duplicity, mysterious time travellers, or poor TV scheduling have managed to kill Torchwood off.

But this decision might.

Best bits of 2010, part 2 - TV

I always say that I don't watch a lot of telly, but thinking about this haas made me realise that maybe I watch more than I think I do.

So what were the highlights of 2010? Well in no particular order, they would have to be:

Camo Daleks with Union flags beneath the eyepieces in Doctor Who - the best Daleks ever. Although then they were blown up at the end of the episode by "proper" Daleks in primary colours that looked crap. Still, a Dalek asking if the Doctor would like a cup of tea was awesome.

In fact the series of Dr Who with Matt Smith replacing David Tennant was really quite good, although I wasn't too fussed about the over-arching storyline.

Season 3 of Chuck had some good moments too. The first half of the season was fairly awkward, but the last few episodes were gripping. I watched the series on DVD (thanks, Connor, for lending it to me) as it was shown on Monday nights when I was on youth. There is a danger with series like Chuck that it will get overwhelmingly silly after a while, yet so far it has managed to avoid that.

Season 3 of Outnumbered was very good, as to be expected. This is the one comedy show that has me biting my knuckles with embarrassment on a regular basis. The stand-out episode for me was one where Sue's incredibly annoying, flighty sister brought her American self-help guru husband over to meet the family. Karen, the little girl in the show, mercilessly questioned him until he cracked. It was awesome and painful to watch at the same time.

There was also a brilliant joke that was trailed extensively before the season - when Karen is told that a woman can be any shape or size she wants to be. Karen turns her head on one side and says 'What about a hexagon?'

Two new shows from America that are airing on Sky 1 seem to be producing the goods. I haven't seen too many episodes of The Middle, but what I have seen has made me laugh. And then there is Raising Hope, made by the same team who produced My Name is Earl, and very funny. Like MNIE, the central cast of misfits and losers are cringe-inducing, yet loveable. They have good hearts and that's what makes them work as character.

Raising Hope is also one of the best stories of unrequited love I've seen in a while. Jimmy's attempts to woo Sabrina capture that sense of desperation about not trying to look too desperate; of wanting someone but trying so hard not to scare them off. It is poetry.

A love story of a different kind has shown up in the latest series of The Big Bang Theory. Sheldon has a girlfriend, possessing equal brainiac weirdness as him. I quite like 'Big Bang' (especially as the Barenaked Ladies composed the theme song!), and it seems to be maturing quite nicely as a sitcom, with no signs of flagging yet.

But there is one stand-out TV moment of the year for me - from the second series of Castle, itself a great show despite being a detective series. I normally avoid detective shows, but this has enough quirky charm to keep me interested.

It stars Nathan Fillion, one-time star of the great Firefly. One episode of Castle begins with Fillion, as Rick Castle, dressed in his old Firefly garb for Hallowe'en. His daughter Alexis asks him what he is meant to be.

"Space Cowboy," he says.

"Didn't you wear that outfit, like, five years ago," she asks condescendingly.

"Yeah," he admits, before saying in a small voice, "but I really liked it."

That is probably the best TV crossover inside joke I have ever seen. It was brilliant. Definitely my highlight of the year.