My March 2026 round up

March kicked off on St David's Day and I went to the celebratory parade in the city centre. The parade finished in Cardiff Castle, where I got a pic of this handsome Draig Goch.

I've been busy on the blog again this month. My book of the Month was A History of Wales, my album of the month was by Garbage, and I even posted a throwback snack of the month too. Meanwhile my monthly Blood Bowl game was a Battle of the Undead (!) and we battled away while munching on Easter Crisps.

It was another month with lots of traveling. I had a work trip to London where I got to see the new workwear: fleece tops (just in time for summer!)

It had been a while since my last trip to London and the Paddington Bear Shop in Paddington Station has a big Lego model in the window now. It's really nicely done.

I went to Shrewsbury and spent (most of) Mother's Day with my mother. We got her a 6-player version of her favorite game, Rummikub.

Me and mum also went out on the Saturday night as it was Mother's Day Eve. It was also Pi Day (3/14) and I had a pie. (But I ate the pie without taking a pic. Social media fail!)

At the end of the month, we were back in Shropshire for a few days. We took a ride on the Bridgnorth cliff railway for notalgia's sake. We also went to a birds of prey centre and a couple of football matches.

It's been a mixed month on the political campaigning front. One of the Plaid Cymru candidates in our area stepped down from the election race. On a more positive note, I completed all the stations in our constituency when we went to Cathays on the last Thursday of March.

We also had canvassing sessions in various bits of Cardiff, including Butetown where we were joined by Plaid Cymru's leader, Rhun ap Iorweth. I got a selfie with him.

Butetown

Plasdwr

Cathays station

While out canvassing I also saw this defiance against the fun police!

Cathy and I had a couple of cinema outings. We went to Cardiff Bay to see the new Disney Pixar film, Hoppers. We enjoyed it.

And on our trip to Shropshire, we went to a vintage OG cinema in Bridgnorth and watched The Magic Faraway Tree. We both liked it, and the cinema. I particularly liked this big M&M in the lobby:

I had a decent month of football, getting to 6 games. That included watching Shrewsbury Town play Cheltenham in the company of my brother and our friend Kate.  On the way in, Kate and I worked out we have been friends for over 30 years. 

Later in the month I hit some Futbology milestones at 3 games in a row, including game number 650 at Cardiff Dracs and stadium number 150 in the very next game when I saw Ludlow Town. 

I was the only Futbology user to check in at Ludlow - but I wasn't there on my tod. I had the real pleasure of Cathy's company at the game.

And then on the 31st March, I made it three games in a row with a Futbology milestone badge, when I collected two at AFC Bridgnorth!

The ground in Bridgnorth hasn't changed in the 30+ years since I used to go there with my Dad. It still has the slope and the tea bar. It was a very nostalgic evening for me, and Bridgnorth won!

Cinema viewing 2025

In 2024, five of the seven films I went to were 'quels of some sort. My cinema trips in 2025 started in the same vein with a Disney sequel to one of my favourite films.

Moana 2 (Odeon, Cardiff Bay)

I'd put Moana in my top 5 Disney films, no question. So this sequel had a lot to live up to. My overall sense was that it was a decent attempt, but some aspects didn't really work. 

This time Moana is trying to raise a sunken island, which for some reason is keeping the various peoples scattered across the ocean's island chains separated. She connects with Maui, the demigod again, and they team up to raise the island to the chagrin of a storm god who sunk it. 

It's always difficult when sequels feel they need to go more epic and don't quite pull it off. It's also a fine balance between preserving the aspects of the story and characters that made a film work first time around and introducing some new aspects that keep things fresh and interesting.

I felt they didn't quite get the balance right with Moana 2. This time Moana has a motley crew of islanders helping her, but none of them were developed as characters. It was a stereotypical 'crew' with the talented but clumsy one, the grumpy curmudgeon, and so on. More could have been done with those extra characters as opposed to just being extra hassle for Moana to deal with. 

So, yeah, a decent attempt that fell slightly short of a very high bar. It was worth seeing and I enjoyed it. 

The Penguin Lessons (free preview at Showcase, Nantgarw)

Cathy scored us some free tickets to go and see this film that was based on a true story. Steve Coogan isn't my favourite actor, but he does dramatic non-comedy roles pretty well. He plays a teacher called Tom who is moving around South America and winds up in a school in Argentina just at the start of the crackdown that established the brutal junta dictatorship in the 1970s. 

He also acquires a penguin after a drunken holiday over the border in Uruguay. The penguin becomes attached to him and won't leave and the story then follows a fairly familiar story arc as the initially hostile Tom becomes very attached to the penguin in turn, becoming a better person along the way.

While Coogan plays the character well, the penguin is cute, and Jonathan Pryce is excellent as the headmaster of the school, I found the historical setting of the film the most compelling bit. The film managed to capture the slow descent of an unstable country into scary totalitarianism. The scenes where the secret police disappear people off the streets - many of whom are never accounted for - are shocking, and Tom's inaction in the face of such shocking brutality is captured incredibly well. The remorse he feels at his cowardice, as he confesses his shame to his penguin friend, lifts the film out of the 'human saved by an animal' genre.

It poses that question of 'what would you do?' if you were in a situation like that. In the film Tom intervenes on behalf of one character, but apparently that sub-plot was added to the script and wasn't something that happened in real life. There is a poignant note at the end about how many mothers were still waiting for news of their disappeared children.

The unexpected serious side of the film made it a much better watch than I initially expected. 

Elio (at Y Galeri, Caernarfon)

Pixar films have been quite hit and miss of late. This had moments that really made me laugh. It fell a little bit into the animated story trope of kid losing their parents and the adult trying to care for them really struggling. Within that trope, the main character, Elio, inadvertently makes contact with an alien having family troubles of their own. They become friends and find a way forward together. 

The alien antagonists that threaten Elio are suitably scary, but there is a point to their martial aggressive natures. The subtext that trying to hide your soft centre behind sophisticated battle armour is laid on a bit thick, but the point is valid and Pixar make sure to hit several other moral compass points along the way - dishonesty leads to disaster (for others if not for you), authenticity matters more, expressing love isn't weakness. 

I don't think the film did particularly well in the cinemas, which is a shame. There weren't many in the showing we went to - at the little arts cinema in Caernarfon that we try to go to when we are on holiday in the area. But even though it didn't seem to get a lot of press, I'd prefer Pixar to carry on creating original stories instead of just adding more instalments to successful franchises. (Yes, of course I will watch Toy Story 5 when it comes out, but that's not the point...)

Sketch (free preview at Showcase, Nantgarw)

More free tickets, for a decidedly odd film that is best described as 'horror for kids'. It would score highly on the kid's film bingo card. Dead parent, check. Unexplained supernatural situation, check. Conflict with adults who don't believe the kids, check... until they do believe, check. 

I don't want to put too many spoilers in this, but the story is basically about two kids who have lost their mum and don't want their dad to sell their house. They find a place with magical powers and inadvertently trigger an invasion of monsters. Which they then need to stop. 

The adult roles are played by Tony Hale as the dad, and D'Arcy Carden as the kid's aunt who is helping the dad sell the house. D'Arcy is, frankly, a bit wasted in this. She is a supremely funny actress but this felt a bit flat. 

There are some good action sequences and comic moments, but the story is a bit weak. It's the kind of film to put on while ironing as you don't need to be paying it full attention. Some of the kids in the screening we went to got quite bored in the slow bits. 

Zootropolis 2 (Odeon, Cardiff Bay)

We went to this with a group of friends to celebrate Cathy's birthday. Another Disney sequel to a film I rate highly. The original Zootropolis is a very enjoyable, narratively complex story about politicians generating misinformation to stir up fear between different groups of people for their own benefit. That theme is still very pertinent.

The story in the sequel is along the same lines but this time the villainy is perpetuated by wealthy citizens of Zootropolis. So, it's a little more cliched than the first movie. Unlikely cop duo Judy Hopps (a rabbit) and Nick Wilde (a fox) pursue the case against all odds and against direct orders. Will they succeed in bringing the bad guys to justice? Well, this is a Disney film so you can probably guess the answer. 

There are plenty of callbacks to funny moments in the previous film, and multiple nods and homages to other films, both Disney and otherwise. Special highlights were jokes about Ratatouille and The Silence of the Lambs. Overall the film was excellent and I would rate it as probably the best Disney sequel I've seen. I definitely want to watch it again. 

The Muppet Christmas Carol (Cineworld, Shrewsbury)

A Christmas Eve treat for me and Cathy, watched with my brother and three niblings in tow. I saw the film when it was originally released in the early 1990s, then many times over the years on VHS, DVD and latterly streaming. I was delighted this was the original cut with Belle's song 'The Love is Gone' in it. The song adds such emotional depth to Scrooge's visit to Christmases past. 

I would argue this is both the finest adaptation of Charles Dickens' classic novel and probably the best Muppet film as well. It has lost none of it's vitality and it was great to see it in the cinema again. 

Ar wyliau yn yr Gogledd - Mehefin 2025

We have just had a lovely week on holiday in North Wales. We stayed in a holiday cottage near our favourite beach, Dinas Dinlle (which my Cymraeg twtor, Lynne. described as "Gothic") and had some fun revisiting some favourite places and discovering new things. 

One of those new things was climbing the hill fort at the southern end of Dinas Dinlle. 

But the main thing was just walking the length of the beach, and occasionally having a sit and being lulled by the waves. 

We weren't far from Caernarfon Airport (originally an RAF base in World War 2 and the place where the Mountain Rescue Service was founded) but it was too windy all week for us to take a sightseeing flight. Next time!

There are a couple more blog posts to follow, but in the meantime, here are some of the places we visited:

Bangor Pier is no longer Pier of the Year, but we had great views down the Menai Strait all the way over to the Great Orme.

The FAW were promoting the Women's European Championships with a giant inflatable shirt outside Caernarfon Castle, so we went along and had a photo with it. 

I was quite pleased to have a few opportunities to practice my Cymraeg. I feel hesitant sometimes, but everyone I spoke to was very supportive and encouraging. 

We went to Y Galeri in Caernarfon to watch Elio, the latest Pixar film. I went in knowing very little about the film, but enjoyed it. The central message about a little boy wanting to be anywhere but on Earth was poignant, and then when he gets his wish and meets aliens, he has to decide where he wants to be. 

We also had a couple of trips to Anglesey, including to Oriel Mon, outside Llangefni. 

I wasn't too fussed on the main exhibition, which featured work by Leonard McComb even though it included a big shiny bronze statue. 

However, the themed exhibition of Anglesey Windmills was very good, with the two paintings by Kyffin Williams really anchoring the displays. 

And I thought this political artwork made a good point.

After Oriel Mon we had a short stop in Beaumaris for ice creams. We bought them just in time for a rain squall to break over us so ended up eating them in the car as the rain battered down. That made it feel like a proper North Wales holiday!

And so, after a very lovely week, we bade farewell to Dinas Dinlle.

Why I was disappointed with Toy Story 4

Spoilers follow for all the Toy Story films

[2023 edit: This post was originally written when TS4 was released in cinemas but for some reason I never posted it. However, I re-read it recently and I still feel this way about the film. And now, with rumours of Toy Story 5 rumbling, I thought I may as well post it with a few minor edits.]

There's a law of diminishing returns on sequels. I still rate Toy Story 2. I thought Toy Story 3 was OK, but never felt the need to watch it a second time. 24 years after the first Toy Story movie, Woody and co returned for a 4th cinema outing.

There are some real pro points to the film. Rabbit and Ducky are great new characters and they gave me the best laughs. Duke Kaboom, voiced by Keanu Reeves, is another brilliant new character with probably the single best line in the script. The animation is high class. Bo Peep's sheep steal the show with their antics. The Pixar geek in me loved seeing a nicely animated Tin-Toy in a cameo appearance.

But overall, something just didn't sit right.

This is Woody's film. The film quickly establishes that his new owner, Bonnie, doesn't give a crap about him. She strips him of his sheriff's badge and then throws him back into the cupboard, rejected. Worse still, when he finally escapes the cupboard, her klutzy dad literally stamps on Woody's face twice. It would appear carelessness is genetic.

Weirdly, Woody is still obsessed with caring for Bonnie. He stows away with her to kindergarten to make sure her first day goes alright. Then he fixates on protecting the toy she makes on her first day, 'Forky'.

Even if you haven't seen the film, you'll have seen Forky. He's on all the posters. He's a spork with a crudely applied mouth and googly eyes. He is also easily the most annoying Pixar character ever. Unfortunately for the film, after Forky's appearance all the other established characters, who we have come to know and love as we shared their adventures, are brutally relegated to background characters. Rex, Jessie, Mr Potato Head, Hamm, the aliens, Bullseye, Jessie and even Buzz are now just wallpaper to the Forky story.

Woody believes that Forky is Bonnie's most important toy right now and blah, blah, blah, oh who cares, Woody? More importantly, why do you care? Bonnie doesn't want to play with you! Why don't you just let her be and if she's so stupid as to lose her stupid spork toy, that's on her. Tough love, Woody! Give her some tough love! Maybe then she will take more care of her toys.

Anyway, there's some stuff about how Woody never got over Andy, then he sees Bo Peep's lamp in an antique store and goes in looking for her. At this point the film goes creepy and weird.

We have already had a flashback scene where Bo Peep is sold 9 years previously, presumably on Craigslist or something. She asks Woody to come with her and he says no because Andy needs him. Clearly he is haunted by this, so goes into the creepy, weird antique store. There he meets an old doll who blames her failure to be played with on a defective voicebox, which could be replaced by Woody's voicebox. Her henchmen - a bunch of ventriloquist's dummies - try to rip it out of him until Bo Peep turns up and rescues him.

I quite liked the recasting of Bo Peep from toddler's nightlight to independent woman living her own life by her own rules as a "lost toy" who has actually found herself. She is a feisty, clever, strong-minded role model of a lamp now. I warmed to her.

Various shenanigans ensue. Keep an eye out for the third Combat Carl figure waiting for his high fives. Woody needs to rescue Forky for Bonnie. That means going back into the creepy antique store. There's some stuff with Buzz. Woody ends up sacrificing his voicebox in return for Forky, and then the doll in question ends up rejected by the little girl she desperately wanted to have play with her anyway. (Another kid comes along before the end of the movie so the voicebox thief does get her play companion in the end. Not sure what the message is there. Kidnappers and extortionists get a happy ending too? It feels like anything is possible in America these days.)

So we get to the end of the film and Woody has given everything. His badge is gone. He's had his face crushed. He's been rejected and abused every which way possible. He has been overlooked, abandoned, lost and no one has even noticed he is missing. He has even given away his voicebox - his essential self, as it were, and still Bonnie only really cares about a crummy spork.

And then he has a choice. Stay with Bo Peep - who he has already seen leave his life once before - or stick with the ingrate brat who now owns him. Well it's a no brainer, right? He's got to finally put his own worth over his sense of duty and stick with Bo. Except for some reason the way it played felt so wrong.

I've really examined my feelings on this, and I think this is the reason it felt wrong: Actually, Woody was selfish all along. He always said that Andy was the most important thing. He let Bo leave with just her sheep for company on that dark and stormy night, because Andy was the most important thing. Because, in turn, he was important to Andy. He got played with. He was the leader of the room. He was in a position of respect and authority.

All that stuff about Forky being important to Bonnie was actually about Woody being important to Bonnie, even though she didn't know about it. His self-identity as the important toy was being lived vicariously through Forky. He was there when Forky was made. He was the one who introduced Forky to the gang. He was the one who sat up all night trying to stop Forky jumping into the trash. He was the one who cared, who knew that Forky was oh-so-important to Bonnie, even though there was so little evidence to show that none of the other toys picked up on it.

And that selfishness came to the fore as the other toys were relegated to background characters. Yes, Woody stayed with Bo Peep, but he left Bullseye! He left Buzz! He left Slink! He left all those other loyal to the hilt friends - the ones who braved death on the roads and the elevator to save him from Al the Chicken, the ones who had turned down the safe life of being adored behind glass for him, the ones who had held his hands as they seemed to face imminent immolation in the incinerator at the dump.

There was barely a goodbye.

I know we are meant to see this as Woody's triumph. He finally sheds the sense of duty that consumed him even to the point of robbing him of his voice. He steps out and puts himself first - and we are meant to think this is him actually doing this for the first time. He tastes freedom for the first time.

But when he does it, really he's just revealing his own dark side of selfishness.

And that's why I think I left the cinema feeling more than a tad depressed. A beloved character turns out to be less of the heroic toy cowboy and more like a flawed human.

I didn't need this sequel.

(If you watch it, keep it playing right until the very end for the final Pixar logo.)

Review of 2020 - new films

I watched 41 films for the first time in 2020, but only seven of them were actually new releases. I saw three in cinemas before they closed under lockdown rules in March, and I saw another five new releases on Netflix and Disney Plus. So this isn't going to be a long post at all.

Even though we only went to the cinema three times, Cathy and I did get to meet a film star. 

The eight films were (in order):

• 1917
• JoJo Rabbit
• A Beautiful Day in the Neighbourhood
• Onward
• Enola Holmes
• Mulan
• Soul
• The Midnight Sky

1917 was a very well-made first world war film where the central conceit was that it was filmed as if it was a continuous shot. Although there were a few 'fade to black' moments. I thought it started really well, with the panning shots down trenches, but a bit like the central protagonists who got sent to deliver a message, it got lost a little bit along the way. It captured that sense of danger, especially in the quiet bits not knowing when or if a shot or bomb would come out of nowhere. I would say it was worth watching, but I wouldn't want to watch it again.

JoJo Rabbit was a second world war film that tried to be three films in one - a film about the Nazification of children by the Hitler Youth, a film about Germans resisting the Nazi regime, and a film about Jews in hiding from the Gestapo. The second theme was the one least served by the script. There were some very clever touches throughout the film, which focused mainly on the little boy, JoJo, and his imaginary friend, Adolf Hitler. 

I was uncomfortable seeing the Hitler Youth sections played for laughs, but that's probably just as well. It was very black humour, particularly the lines delivered by the ever-excellent Sam Rockwell. As it became apparent that the regime was willing to use children dressed in paper uniforms as cannon fodder to slow down the advancing Allied armies, the real dark heart of Nazism was exposed, and if it had been played entirely straight, then it would have been unrelentingly grim. 

Changing the tone slightly, the film I saw most recently in a cinema was A Beautiful Day in the Neighbourhood. This starred Tom Hanks, as the real-life Mister Rogers whose show 'Mister Rogers' Neighbourhood' was a hugely popular children's TV show for decades in America. I have never watched that show so can't really compare Hanks' portrayal to the real person. During the film, Rogers is interviewed by a hatchet-job reporter who sets out to find the real Fred Rogers behind the TV persona, only to find that Fred is the genuinely nice guy he portrays on TV.

It's a schmaltzy film. Probably the schmaltziest film I've seen in a long time, with a family reconciliation theme in the life of the hardbitten reporter that was saccharine. There was a bit of the 'uncanny valley' about Hanks' portrayal as well. So overall it wasn't a film I'd bother watching again.

Onward was Pixar's film most affected by the pandemic, with it's release date bumped and then pulled completely in favour of release on Disney Plus. It's set in a fairy-tale style world that has modernised and magic has died out, although there are still creatures like unicorns (which knock over garbage bins to root through the trash) and fairies (who are a biker gang). The main story is about a young troll who discovers his late father was a magician and has created a spell that could bring his dad back from the dead for a short period of time. The spell goes wrong and only half his dad appears, so he and his brother go on a quest to finish the spell.

It had its moments, and lots of funny gags. The scene at the Manticore's Tavern was probably my favourite. But I felt it was trying too hard to make an emotional impact and unfortunately it couldn't land its punches. 

Enola Holmes was released on Netflix. It stars Millie Bobby Brown, who played Seven in Stranger Things, as Enola, the younger sister of Sherlock Holmes. She has the same sleuthing mind and puts it to use when her mother disappears. There is a sub-plot involving the suffragette movement but the main story involved Enola getting mixed up with a young aristocrat who is on the run because his life is in danger. 

I liked the film. Millie Bobby Brown carried it well, with lots of breaking the fourth wall. There was a scene filmed at the Keighley & Worth Valley Railway, and having been there and seen the sheds full of train carriages that are used in various period dramas, I found it quite amusing to try and see how many different coaches they used. This was based on the first book in a young adult fiction series, and I would be very keen to watch sequels.

Mulan was a live-action remake of the classic Disney cartoon, released on Disney Plus in lieu of a cinema release. I have two main issues with the film. Firstly, if you are going to remove the best character from a film, in this case Mushu the dragon, for the sake of 'realism' why replace that character with another supernatural character who was a bit crap? Secondly, if you are going to recreate an iconic scene, like Mulan triggering an avalanche with a fire rocket, why change the mechanism of that scene, and make it crap?

Disney keep remaking their classic cartoons as live action movies, and I've been disappointed with them. (Cinderella is perhaps the exceptions because the original cartoon is a really boring film anyway.) If Disney are going to keep doing remakes, they could at least be making Muppet versions of these films, which would be a lot more entertaining. 

On Christmas Day I watched Soul, which was released on Disney Plus. Ostensibly it's a film about death and making sure you actually live your life before you die. The  main protagonist, voiced by Jamie Foxx, is a music teacher with dreams of playing in a real band, who gets his shot only to die in an accident. As a disembodied soul he tries to make his way back to Earth, only to wind up in a therapy cat that has been brought in to comfort his comatose body in the hospital. 

There are other stories around that, with some telling points about people losing sight of their lives by focusing too much on one thing, or being afraid to actually live at all. The animation is absolutely gorgeous at times. There are several jokes with the usual selection of clever gags that will probably go over the heads of kids who watch it. And overall there is that bold theme of actually experiencing life while it is being lived and finding joy in that. Pixar often take these deep themes and present them in a new way, and they are probably the film studio making the most philosophically challenging mainstream movies at the moment. 

The final film I watched this year was The Midnight Sky, which starred and was directed by George Clooney, and released on Netflix. George was the sole survivor of a catastrophe on Earth, and spent the film trying to warn a returning spaceship crew that the planet was a radioactive mess. It was two hours long, but felt longer, was pretty bleak throughout and didn't have much of a resolution. The few action sequences had predictable conclusions. By now, if there's a spacewalk and everyone is really happy at how successful its been, there is bound to be a disaster. And there was.

So, of those eight films, I think three were worth recommending. They would be JoJo Rabbit, Enola Holmes and Soul. Whereas Mulan and The Midnight Sky are ones to avoid. 

My big 2017 film review

I didn't manage the target Cathy set for me of watching 52 new films in 2017. But I did see 41, which isn't bad. Back in February I noted the ones I'd seen so far. I was going to do this regularly throughout the year, but, um, well, anyway...

I've decided to keep this review to just films that I saw on cinema release in 2017. I've included short summaries giving my verdict on the film.

*January*  - snapshot summaries here
Passengers
A Monster Calls
Sing

*February*
The Lego Batman Movie - read my long review here

*March*
Beauty & the Beast
Probably the most unnecessary remake in cinematic history, which is saying something. Emma Watson spent most of her time having to react to empty air where the CGI characters would be and it really showed she's not that great an actor. The additions to the cartoon, both songs and narrative, weren't much cop either.

*April*
Guardians of the Galaxy Vol. 2
A sequel to my favourite film of recent years that I liked even better than the original. I got emotional at the end. Cracking soundtrack too. My film of the year, and probably of several years. I saw it twice in the cinema and then bought the Blu-ray when it came out. And the soundtrack. And a ton of merchandise. And the Lego sets. I collect Rocket Raccoons and Cathy collects Groots. That says a lot about us really. (It also has a very interesting religious angle, which I blogged about.)

*May*
Alien Covenant
AAAAAAAAAAAAAAARRRRGGHH! This film is so stupid it hurt me. I actually felt rage when I thought about it afterwards. Every STUPID thing the STUPID people did in STUPID Prometheus they went and did again! Walking out on the surface of a planet without a protective suit. Trusting the CLEARLY EVIL ROBOT so much you stick your face up close next to an alien pod-egg, even though you've just seen your crew-mate's decapitated head floating in a fountain. I mean, come on! How dull are you? Recycling every twist you can imagine from previous films and adding such an obvious one I was literally mouthing 'Please, no, don't do that' because it was so obvious.

Possibly contentious opinion: The best thing that happened to Star Wars is that is got taken away from George Lucas. Someone needs to do the same thing with Ridley Scott and Alien.

*June*
Wonder Woman
This film had flaws. I guessed who the baddy was going to be, because by now I have seen so many superhero films it's always going to be that guy who is just too helpful to the heroes. But Gal Gadot was a revelation. The scene where she went over the top of the trench into a hail of bullets and powered through inspired me. So, all in all, I thought this was great despite the flaws.

*July*
Despicable Me 3
Someone out there might still find minions amusing. Pretty sure even little kids are sick of this franchise now. It would make a good primer about how a movie can get totally lost through having too many sub-plots.

Cars 3
I would nominate Cars 2 as the worst Pixar sequel by miles. But this was great - the sequel Cars should have had. We took my Niece (6) and Nephew (4) to see it for Nephew's first trip to the cinema. Even they recognised it was a far superior film to Cars 2, even if I'm not sure they fully grasped the mature storyline of growing old and being replaced by the next generation coming through.

Spider-Man Homecoming
This was pretty good overall. It had a lot of humour and Spider-man is a dorky schoolkid again. Marisa Tomei is a brilliant comedic actor and was a refreshing change as Aunt May. Michael Keaton as a villain - what's not to love? I've seen 5 big screen Spider-man films now, and I think this one is probably the best. And it fits back into the Marvel Cinematic Universe, which works for me.

Dunkirk
This was very powerful, with a plot timing device I only got about halfway through. I'm very glad I saw it in the cinema because the aerial combat scenes needed to be on a big screen. I know this sounds daft but the sky is big and the sense of losing sight of a plane and not knowing where it will be coming from next was very well captured. The sense of desperation, of trying to escape, and repeated failures, ratcheted up the tension. It got to me and most of the rest of the audience, judging by how we all sat there slightly stunned afterwards.

*October*
Blade Runner 2049
My comment about Ridley Scott and Alien also applies to Blade Runner. Visually it was very arresting and evocative of the first film. There was too much gratuitous nudity and the plot really didn't bear much scrutiny. I would make a case that this film settles the argument and Deckard isn't a replicant. Which I know is controversial, but if you follow the logic through, he can't be.

The Lego Ninjago Movie
Two Lego movies in a year. If you want to see the Law of Diminishing Returns in action, here it is. This was some way off The Lego Movie and The Lego Batman Movie. It was still much funnier than Sing or Despicable Me 3 though.

Thor: Ragnarok
My third Marvel Comics Universe film of the year and a real departure for Thor films, which tend to be a bit slow and depressing. This was gaudy and colourful, so much so it felt a little bit like a rip off of Guardians of the Galaxy. I laughed a lot, particularly at the new character, Korg, who introduced Thor to the weird world he ended up on. Cate Blanchett was suitably villainous as Hela, but was under-used. Anthony Hopkins phoned in his part as Odin for the third time in three films. But overall I enjoyed it a lot and it's easily the best of the Thor films.

*November*
Loving Vincent
This was an oddball one - an animated retelling of the tragic death of Vincent Van Gogh, with the twist that each cel of the animation was painted in the style of Van Gogh's art. I was intrigued by the concept, which worked some of the time, and learned quite a bit from the story. Some of the voices didn't work for me, especially Chris O'Dowd's indomitable Irish accent that felt very out of place. If you are a fan of animation, quirky films, or art, then this might interest you.

*December*
Justice League
Yay, Gal Gadot is back. This was my first real encounter with Batfleck. He didn't really do it for me. As a 'getting the team together' movie, it works better than most. Superman is still a superhero I don't care about. It was supposed to be a big secret he was in this film, but then I saw the toy sets in the supermarkets and noticed the S logo was included in the poster. Here's a tip, film-makers, if you want to hide Superman's presence in your movie, don't put his logo on the poster! In my opinion, DC is a long way off Marvel in terms of films that I want to see. Suicide Squad was the worst film I saw in 2016. The other Superman and Batman films up to this one have looked just awful. This didn't really win me over but I might give Justice League 2 a look when it rolls around.

The Last Jedi
I saw this twice before the year end. I thought it was great and have posted a long review about it already.

In summary
I watched a lot of superhero films this year, which is a bit embarrassing, but, hey, I go to the cinema to be entertained. Some quick 'awards':

Best film: Guardians of the Galaxy, Vol. 2

Best animation: Cars 3

Worst film: Alien Covenant, although Beauty & the Beast ran it a close second.

Most unexpected character appearance: Sauron in The Lego Batman Movie

Biggest twist: What happened to Snoke (trying not to reveal a spoiler there)

Best visual moment: the speeders carving up plumes of red dust across a white salt field in the battle of Crait, closely followed by Wonder Woman deflecting machine gun fire as she walks through no man's land

2015 in review: Films I saw at the cinema

I've decided to list all the films I watched for the first time in 2015. I've split them into cinema releases and movies I watched on TV or DVD, some of which are a bit older - those follow in another post because otherwise this would be crazily long. FYI, I've listed these films in the order I saw them rather than in order of quality.

Kingsman ~ The Secret Service
Comedic take on spy films based on a comic book. Despite the ludicrously over the top violence, I enjoyed this apart from the controversial brief sexual content right at the end. Although the big names in it were Colin Firth, Samuel L Jackson and Michael Caine, it also offered a rare cinematic outing for Mark Hamill, who didn't have much to do except look surprised.

Big Hero Six
Disney animation based on a comic book. A genius kid inherits his brother's robot nurse (naturally, being a Disney film, family members die) and turns it into a super-hero. It was a good film, but the supporting hero team weren't necessary and the villain's actions didn't really make any sense. So it turned into one of those films with some good central characters and not much of a plot.

Selma
Moving drama about the events in Selma, Alabama, during the height of the Civil Rights movement. It really made me aware of how the racism of powerful institutions worked to keep black people subjugated, and the sheer strength of character shown by Dr Martin Luther King and other leaders. I blogged about it here.

Chappie
South African-set science fiction action drama about a robot programmed to become self-aware. I quite liked this because it seemed quite realistic in portraying how a machine would feel when it came alive - shocked and awkward.

Avengers: Age of Ultron
Latest chapter in the Avengers franchise. Didn't really do much for me. Also about machine intelligence, but fell too easily into tropes. Why would a robot decide to create multiple copies of itself when theoretically it could just take over any machine going? Also it passed over spending time with characters in favour of MORE EXPLOSIONS!

Tomorrowland
Disney live action science fiction story starring George Clooney and Hugh Laurie. It had a surprising theme of hope in the future despite the way the world has been exploited and ruined to the point where it's on the brink of destruction.

Jurassic World
Basically, this is Jurassic Park, except the park and the dinosaurs are bigger. It had a more callous approach to human victims than the original, especially one character, an Executive Assistant, who was marked for death early on because she had a British accent. Chris Pratt starred, continuing his A-list trajectory that started with Guardians of the Galaxy last year.

Spy
Melissa McCarthy divides opinion. But this film was funnier than the trailers would have you believe. Also featured Alison Janney (yay) and Miranda Hart ( no, seriously) along with Jude Law as a slimy James Bond-spoofing chick magnet spy. But Jason Statham stole the show for sending up so many of his own films.

Moomins on the Riviera
A slow animated adventure based on an early Moomins story. If you like Moomins then it's one for you. It's European origins are very obvious.

Minions
The Despicable Me prequel. Being fair, it had some great set pieces. The first 20 minutes or so were fab. But the point about the Minions is they are knockabout background characters and asking them to carry a movie is a bit much. Although the showing we went to see did have the added bonus of a chap showing up in an adult Minion onesie, much to the embarrassment of his friends.

Terminator Genisys
I really enjoyed this. It took the Terminator mythos and turned it on its head. Arnie was back, which was the big seller, and they incorporated his real-world ageing well into the film. He was also deadpan funny. In many ways every Terminator movie is about the same thing - avoiding the fate that seems unavoidable, and this wasn't too different, but the plot was suitably complex to keep me interested. Matt Smith, former Doctor Who, has a small but important part as well.

Ant-Man
I knew very little about this going  in, except that it was Marvel Comics and the trailer looked good. It was very enjoyable, different enough from the main story arc to not feel like a retread of the same old ground (unlike Age of Ultron). In fact, the bit that jarred was the unnecessary attempt to tie in the wider Marvel franchise with an appearance by The Falcon. Although that did lead to a fun on-screen fight. Paul Rudd made a likeable leading man. Michael Douglas is always good value. And the final showdown involves a model train set. Could you ask for anything more?

Inside Out 
The summer's big Pixar movie, starring the emotions inside a little girl's head. As usual for Pixar, this is a top concept and very cleverly done. The basic story is the 'main characters are exiled and need to get back to their home' that worked very well in Toy Story, but didn't work so well here. It does have what I would contend is the cleverest joke to appear in any Pixar movie as a throwaway gag that I think most people missed. My main complaint, however, is the way Pixar allowed their main characters to shill for Sky and Subway, with them appearing in adverts before the film came on screen, That spoiled it for me. There was also an ad for the toys that gave away a key plot point. It would have been a better movie without these commercial spoilers.

Song of the Sea
This is my movie of the year. It's a beautifully drawn animation based on an old Irish legend about a little girl who is a selkie and the last hope of the faerie folk trapped in the human world. The artistry of the animation is gorgeous. The story deals with love and loss and I'm not ashamed to say I was blinking away tears at the end. Thoroughly recommended.

Suffragette
Before seeing this movie I hadn't fully grasped what it meant to be denied the vote and various rights on the basis of what genitals you were born with. I thought the subject matter was well-handled. It didn't glorify acts of terror, but it did made me think about how the boundaries blur. I recognise the sacrifices of the suffragettes, but setting off bombs and destroying property aren't really actions to endorse. Or are they? I've written more about it here.

Spectre
James Bond does what he does best - following his own orders, killing people mercilessly and exploiting vulnerable women for sex. I've written about glorifying a sexual predator here. On the other hand there was a lovely shot of a train in the North African desert, which if you like trains is worth watching the film for.

The Good Dinosaur
Pixar's first flop? Certainly the first Pixar film that I thought borrowed too heavily on other films. A bit of A Bug's Life as Arlo the dinosaur doesn't fit in and makes a mess of things, a bit of the Lion King (why do parents always die in Disney films?). The similarities to non-Disney franchises like Ice Age were also surprising. This film took ages to get to screen apparently and had been in production almost a decade. And yet, while beautifully animated even by Pixar's high, high standards, it was still let down by the story.

Star Wars: The Force Awakens (seen x3)
Also known as Episode VII. This was great. Long review WITH SPOILERS here. My Mum loved it as well. In her words "So good to get away from the awful prequels."

Charlie Brown and Snoopy: The Peanuts Movie
I have to admit I found this a bit slow. It is a very loving tribute to the original TV cartoons but there isn't much of a script. However, Cathy is probably one of the biggest fans of Peanuts there is and she really enjoyed it, so that's all that really matters. I did enjoy Snoopy acting out his dogfights with the Red Baron, prompting phone calls from worried kids all over the neighbourhood to Charlie Brown.

And that's it. 22 trips to the cinema to see 19 different films makes for a very full year of movie-going.

Movies of 2012

Instead of doing my round up of films I watched and saying which one was best, I've decided to try and present a few 'awards' in different categories. So, here goes...

Most surprising movie
Disney/Pixar's Brave was a big surprise. I'd been very disappointed by Cars 2 and didn't think the trailers were anything special. I thought it looked like a Scottish-set version of Mulan or something, but the story veered off in an unexpected direction. The animation was top-notch, it had some very funny scenes, and generally I thought it was excellent.

Most underwhelming movie
Prometheus promised much and delivered very little. It somehow managed to combine pretentious ambitions with weak characterisation and a plot that seemed to be mainly made up of holes. Very, very disappointing.

Movie that made me think a bit harder than I expected
I really liked Looper, although I'm pretty sure the central plot device of time travel unravelled right at the end. But it was very well acted - Joseph Gordan-Levitt was excellent, as was Bruce Willis - and the story kept me guessing right to the end. All-in-all, a sci-fi move that was well worth watching.

Enjoyable action movie of the year
I really liked Avengers Assemble. It may not be as cool as the recent Batman films, but it was fast-paced, the actors took the job seriously, but most of all it was the culmination of a series of films that all fed into a much larger picture. As such, it was a believable 'cross-over' film. The characters had back-stories, but this was a move forward for all of them. It maybe was a bit long, but that's about the only criticism I can make.

Movie that made me feel a bit 'meh' afterwards
Two movies vie for this award - The Dark Knight Rises and Skyfall. I don't think either enriched my life. The Batman film had an interesting political edge to it - that without the ruling 1%, all you get is anarchy and terror, while the James Bond film was nihilistic in the extreme (as I said when I reviewed it before). Nihilism can work in a movie (for example, I thought Dredd was very well done), but Skyfall was unremitting for a movie ostensibly about a 'hero'.

Comedy of the year
I didn't see that many comedies this year. Ted was funny, but a bit rude, so I'm going to give this one to Ice Age 4: Continental Drift, mainly because it made a joke about a previous installment in the series involving dinosaurs and said that it "didn't make a lot of sense." That amused me.

Film of the year
And so to the big one - my personal favourite film of 2012 and it has to go to... (drumroll) The Muppets. As I said when I reviewed it back in February, I liked the way the film treated the original Muppet ethos with respect. Disney did a very good job at capturing what made the Muppets work a few decades ago, and it was just a great family movie, with several jokes that made me laugh out loud. On another note, the recent acquisition of the Star Wars empire by Disney hasn't really worried me - given how Disney treated the Muppets, I have high hopes they will capture the spirit of Star Wars in the right way. (And as Cathy has pointed out, they really can't mess it up as badly as George Lucas did with the prequels.)

I'm already looking forward to some of the films due out in 2013, but that was 2012.

Big screen / small screen review, including Toy Story 3

Toy Story 3
I've taken a few days to blog about this film because I've needed to get my thoughts in order. Firstly, it's very good - the usual high Pixar standard. But I found it emotionally challenging.

The themes of growing up and moving on from relationships, as seen in Andy parting with his toys as he leaves for college, was arresting. There's a whole scene where the toys are trying to get Andy's attention, and can't understand why he has moved on. I'm not sure why that troubled me so much (maybe the fact that my house is full of toys plays its part), but it did.

There's a depth to this, that is far more than you'd expect from a 'kids' film'. I'm not sure kids would get it. Most adults won't either, I guess, because people don't expect to be made to think in movies...

Jongudmund's rating: 8/10

The Hurt Locker
The film that beat Avatar to the Oscar earlier this year. A lot of hype. And yet when it came down to it, not as much substance as I expected there to be.

It was very good and I'm glad I've finally watched it. Maybe it was more of a big screen movie rather than a DVD night in, although I'm not sure. There are some excellently shot scenes - a shoot-out in the desert; tense and confusing scenes in the city streets.

It also managed to show how war provides an adrenalin thrill that becomes addictive, without ever going gung-ho, or playing down the horror of war. When a character gets vapourised by an IED, there's a highly believeable atmosphere of shock and horror. People get shot and stay dead. Blood doesn't spurt in cinematic technicolor.

I'd say it's a good film, but I'm not sure it's a great film. But worth watching.

Jongudmund's rating: 8/10

Dead Man Walking
This is one of those films I'd never got round to seeing, and it was on TV last night. The story is well-known, I guess. Susan Sarandon plays a nun who visits a death row inmate played by Sean Penn, who is the 'dead man walking'. Gradually she brings him to the point of repentance when he finally admits his sins and 'saves' him even as he is killed by lethal injection.

The brilliance of this film is the closely observed funny moments that seem to interpolate into the narrative, the way things do in real life. A sign that says 'Have much rabbits' prompts a character to ask "Are they selling or bragging?" "Maybe it's a cry for help."

Again this was an emotional film. When Penn turns to his spiritual advisor and admits he'd never foudn love until she had loved him unconditionally, and thanks her for loving him, I was moved. Redemption comes in many different ways and yet it is always powerful.

Jongudmund's rating: 9/10

THX 1138
This was George Lucas' first film, recently re-released in a Director's Cut. It's set in a dystopic future where humans are enslaved by the state and are not allowed to fall in love. It's very much like other films of that ilk - Equilibrium, The Island, and so on.

There is a dream-like quality to the film. Characters seem to appear, quite literally, out of nowhere. Scenes jump around. I was never quite sure whether I was meant to be seeing reality or what the main character, THX 1138, was percieving the world to be.

I really don't think this is a film for everyone. But if you're into science fiction, it's worth watching.

Jongudmund's rating: 6/10

Planet 51
A knockabout animated kids' film about a human astronaut who causes chaos when he lands on the inhabited 'Planet 51'.

There isn't much depth to this, but the alien pet who looks a bit like the alien from Alien and pees acid onto lamp-posts is very amusing. Truthfully I didn't care much about the other characters, but the animation is good and the design of the film is very nicely done in terms of the 1950s retro style alien vehicles and things.

Jongudmund's rating: 4/10

Song lyric of the week: Muse, Knights of Cydonia

"Don't waste your time,
Or time will waste you."

That got me thinking, especially as I heard it on the radio after seeing Up, the new Disney/Pixar movie. Up is all about putting off your dreams until one day it's too late. It's made me think about a few of my personal dreams/ambitions. Some are doable. Some are dependent on getting the right breaks. But all mean I should stop wasting time.

Incidentally my Dad has raved about Up since he saw it last week. he thinks it should be required viewing for retired people. I found it very moving - as Disney/Pixar films have a habit of being - without being overly sentimental. There were also a couple of laugh out loud moments when Cathy had to 'shush' me because I was so noisy.

And I loved Doug the Dog. He was great. ("I do not like the cone of shame.")

Jongudmund's rating: 8/10 (well worth seeing)

"I don't want to survive - I want to live!" (Wall-E film review)

I've been surprised by the core messages of a few films recently, and Wall-E was no exception.

By now just about anyone with a passing interest in films will have heard/read/worked out the gist of the plot: a cute little cleaning robot struggling to make sense of the mess the planet has been left in meets a sleek explorer-bot and falls in love. Everyone is raving about the animation (how many more times can Pixar raise the quality bar?), and the brilliance needed to write a film with virtually no dialogue for the main characters. The best description I've read so far was in the Times, which described the hero as "the lovechild of R2-D2 and ET".

There have also been plenty of comments about the 'environmental message' and the criticism of corporate consumerism, the latter being ironic in a Disney film, which is all about corporate branding and selling Wall-E toys to the masses. But there are also some human characters in the film, mollycoddled into roly-poly flab-sacks by their robot attendants until they've forgotten all about Earth.

In a sinister scene stolen from 2001: A Space Odyssey, the humans discover their servant robots are actually preventing them from returning to Earth because it's deemed too risky. But the captain realises humans need to take responsibility for their mess and sort things out. He asks whether they should do nothing, then says: "I've been doing nothing my whole life." In a face off between the sentient auto-pilot and the captain, the auto-pilot insists the humans stay off-planet, because here they will survive. The captain responds by saying: "I don't want to survive - I want to live!"

That line really made me think as we walked back to our car afterwards. We so often take our freedom for granted - Cath and I were free to go out and watch a film, which other people were free to make, and distribute, even though it contained a critical appraisal of our society's self-destructive tendencies. We had the freedom of so many choices - to drive or walk, to go out or stay in. We could do what we wanted in almost total safety. Actually, that's something many world citizens would aspire to, or dream of... or wouldn't dare to even dream of, for fear of those in authority.

And I was struck by how valuable and precious freedom is. There's a line in a Midnight Oil song, which they've borrowed from somewhere, that 'it's better to die on your feet than live on your knees'. And, of course in America, where they take liberty seriously (and then take liberties with it!) one of the main rallying cries in the War of Independence was 'Live free or die'. Because to live in chains is to die a long, slow death.

I'm not sure the writers of Wall-E meant to inspire such thoughts. But they did. And it was a cracking film too.

Jongudmund's rating: 9.5/10 It don't get much better than this!

Short film reviews

Last week: I Now Pronounce You Chuck and Larry
Adam Sandler and Kevin James are firemen who embark on a well-meaning scam by pretending they're married to make sure James' kids will be cared for if something happens to him. The pair have a number of surprisingly dramatic-looking fires to attend, but the real surprise is the way the film addresses homophobia.

However, Adam Sandler apparently co-wrote the script which may explain the sheer number of women he scores with. The message is 'I'm only pretending to be gay'. Given the kind of people usually classed as Adam Sandler fans such signposting is probably necessary. I do wonder how many retakes 'had' to be shot of the scene where he massages Jessica Biels' boobs.

But overall the film's watchable and has a few decent laughs in places. The only problem is, for a movie which is about acceptance, most of the genuinely gay characters are stereotypically flamboyant, but then perhaps you'd expect that in a pro-gay movie written by heterosexuals...

Jongudmund's rating: 7/10 - one to watch on DVD perhaps.


This week: Ratatouille
What do you need to know? It's by Pixar. It's another brilliant animation. It's about a rat with yearnings to be a chef and a cultured nose, who develops a symbiotic relationship with a lowly garbage boy in a restaurant kitchen and together they ascend the pinnacle of the restaurant trade. If you're not weirded out by the concept, then enjoy the cameo characters, especially Peter O'Toole as a morbidly snide food critic. Pixar rarely mess up, and although this is possibly one of their weaker films, I enjoyed it.

The trainee alien abductors in the short film which precedes it are probably worth the entrance fee alone.

Jongudmund's rating: 8/10 - go and see it, but not at a time when the cinema will be full of screaming children.