Showing posts with label men and women. Show all posts
Showing posts with label men and women. Show all posts

Wednesday, September 11, 2024

Books of the Month - three pieces of speculative fiction

I have been bitten by the reading bug lately and this is the second book of the month post in a row featuring three novels. This time all three are speculative fiction (as discussed previously). 

I'm going to review them in the order I read them. The first book was another pick up from TK Maxx. 

The Power - Naomi Alderman

This book was published in 2016 and imagines what would happen if women suddenly developed the power to conduct electricity (the Power), establishing them as the dominant gender. It's framed through being written as a fictionalised history written by a man in a future civilisation, 5,000 years hence. Throughout the books are drawings of archaeological discoveries dating from the time period being written about.

The framing includes advice from an editor that it seems far-fetched that men were ever the dominant sex. There's also a rather patronising suggestion that the fictional author considers publishing it under a female name to avoid it being categorised as women's literature. I wondered if the real author had been on the receiving end of similar sentiments.

The book follows several female characters who either develop the Power of have it awakened in them. All the characters are in some way oppressed, abused or overshadowed by men, and the Power enables them to break free. There is also one male character who is chronicling the impact the Power has on various societies and it's really through his eyes that the shift becomes noticeable, as he finds it increasingly unsafe to be in the presence of women.

I was interested in the development of a women-centred and led religion, evolving rapidly out of Catholicism, which echoed the growth of populist movements in organised religions that sometimes outflank the established ecclesiastical structures. It felt believable to me, because new religious movements can take root and spread very quickly - and would be much more robust if they were linked to a sudden societal change like the emergence of the Power. There is, however, a natural explanation for the sudden emergence of the Power, although details are kept to a minimum. 

There's a bit of gore and violent vignettes, including some sexual violence. There are some loose threads that are left frayed at the end of the book. But overall, there are plenty of points that made me think about gender politics, and the reversal of power dynamics was sometimes amusing, sometimes frightening. The unwillingness of the female editor in 5,000 years time to accept the idea that women aren't just naturally aggressive, for example, made me smile. 


Slaughterhouse Five - Kurt Vonnegut

I bought this book in a deal at HMV because I had never read it and it appears on most lists of classic books one should read. I knew it was about the wartime firebombing of Dresden. I assumed it would be a straight up war book. I was wrong. 

This is the second Kurt Vonnegut book that I've read. A few years back I read Breakfast of Champions. I didn't like that much, and, truthfully, although I can see why this is considered a classic novel, I didn't like this book much either. I think it's just that I don't get on with Vonnegut's style. 

Having said that there are moments and throwaway lines in this book that are almost instantly memorable. There is a very early comment that foreshadows the destruction to come when the narrator says that Dresden post-war must have "tons of human bone meal in the ground". 

There is another cynically comical comment about a woman who "Like so many Americans, she was trying to construct a life that made sense from things she found in gift shops." With lines like that, I feel I really should have liked the book more!

The main character in the book is called Billy Pilgrim. The plot device is that he has been abducted by aliens from the planet Tralfamadore. He now experiences all of time all at once, which is a side-effect of travelling on a flying saucer. So his recollections of the war, being captured, being incarcerated in a converted abattoir (Slaughterhouse Five) that ironically protects him from the firebombing, and being involved in the grim clean up operation in Dresden afterwards, are mixed up with his life after the war, his family, his capture by aliens and subsequent captivity in a zoo amusing Tralfamadorians, and so on. 

I think it was that fantastical aspect that I found difficult. On reflection, it did distract from the absolute horror of what happened in Dresden. The vivid description of pulling bodies from the rubble afterwards ('opening up a corpse mine') and there being too many dead people to deal with other than incinerate them perhaps needed leavening with the alien abduction and Billy's happier post-war experiences. 

It might all be meant to indicate that Billy has gone mad as a result of his wartime experiences. But it's played with a straight bat - although, I guess, madness seems real to the person experiencing it. It may just be that it's Vonnegut's way of processing what he witnessed in Dresden and he needs to make this fantastical to deal with the fact that the worst bits of the story actually happened. 

There was some interesting commentary on the American poor, which I will save for another post. And the idea of experiencing time in a concurrent way rather than as causal consecutive moments felt very up to date - covering similar ground to some of the chapters in Existential Physics, which was my Book of the Month back in June. Not bad, considering Vonnegut published this in 1969.


The Boys from Brazil - Ira Levin

The other book in the HMV deal, and the second book by Ira Levin I have read this year. I reviewed The Stepford Wives last month. As with Stepford, I knew the basic premise of this story - Nazis in South America have perfected cloning and are seeking to restore the Third Reich.

What I didn't expect - the same as with Stepford - was to get quite so gripped by the story. The slow reveal of what is going on happens for both the main character, ageing Nazi-hunter Yakov Liebermann, and for the reader. The scene where Liebermann encounters his second teenaged clone was incredibly well done, and I really got a sense of the world slipping sideways for the character as he tried to process what he was seeing. 

Because the book was published in 1976, the science behind cloning has to be explained - even the word 'clone' has to be explained. I suspect this was cutting edge knowledge at the time of publication - but I was intrigued by how even then there was speculation that some governments had already been cloning larger mammals and maybe even humans. I remember the fuss in the late 1990s about Dolly the Sheep who was announced as the first sheep to be successfully cloned. So it was interesting to read characters speculating about it twenty years earlier. 

It's a short book that concludes with a discussion about the morality of killing children that might grow up to be evil. Liebermann and his anti-Nazi allies have to hope that the boys from Brazil defy their genetic heritage. The ultimate ending of the experiment is left ambiguous as to what might happen, which I quite liked for the ending. 


Wednesday, September 25, 2013

Fairy Hearts for sale - gendered marketing meets meat

I spotted this shopping in Asda Cardiff Bay, and am quite proud that is has since been added to the Sociological Images pointlessly gendered products pinterest board, after I tweeted the pics.



But more to the point, isn't there something deeply disturbing in encouraging little girls to eat fairy hearts? What images does that conjure up? Fairies being farmed intensively in large barns full of glittering cages, fattened up and cruelly murdered so that little human 'princesses' can gorge themselves?

It reminds me of the horrible scene in Stardust where the witches are going to murder Yvaine so they can eat her heart and have their youth restored. Is that what Asda think they are doing by selling these?

In a way, of course, that is what they will achieve. The 'princessing' of little girls is one of the most powerful programmes for infantilising and disempowering women in our culture. Making little girls eat fairy hearts is part of a much wider scheme to dress them all in pink, and limit their dreams to wishing they were pretty enough to win the heart of a prince, instead, of, you know, getting out there and kicking ass.

Even before I was a vegetarian I would never have touched processed meat garbage products like this. But sadly many parents will, and in reinforcing the cultural conditioning of princessiness, this disgusting looking meat isn't the only crap they are forcing down their daughters' throats.


Sunday, December 20, 2009

Musical review: ‘Cappuccino Girls’ at The Gate, Cardiff

Billed as ‘Sex and the City meets Desperate Housewives’ and with predominantly pink posters and other marketing, this show obviously wasn’t aimed at blokes. As my mate Ian said “It was alright… if you have ovaries.” Cathy disagreed. She has ovaries and she wasn’t keen on it.

So what was wrong? Well, technically it was very good. The songs were good, the acting was generally of a very high standard (two actors were much better than the others, but that’s always the way), the plot was okay (with some ‘twists’ you could see coming from the middle of the first act), the venue was, well, if you’ve been to The Gate, you’ll know how it looks like a good venue until you actually have to sit in it for more than five minutes.

But as a show it left me feeling dissatisfied and slightly uneasy. [[[spoiler alert]]] The concluding happy ending happens when one character comes into money – more specifically £20million – and is able to pay for a bone marrow transplant and bankroll her friend’s magazine. So, money is the answer to all of life’s problems, is it?

Well, fine and dandy if you have an estranged dad to leave you £20million, but if you don’t, it’s fair to say you’re screwed. A far more satisfying story would have been if the girls had to find a happy ending without the financial fallback of a sudden windfall. Maybe one of them would have to give up their childhood sweetheart in order to stay with her husband, the bone-marrow donor, or another scenario. It would have been a darker show, but a better one.

Every musical has a message, for good or ill, and this was no different – a father trying to make good his wrongs and set his child free. But there are other ways that could be done on stage, without the insinuated message that money sets you free and solves your issues for you.

And there’s also the edge that this was billed as a celebration of independent women, drawing strength from each other, and taking on the world. But their independence in the end stemmed from a fortune left to them by a penitent father, rendering all their independence as a result of paternalistic largesse. Instead of the respect earned by building up a magazine circulation and reputation from scratch, being bank-rolled by a millionaire friend isn’t exactly the triumph of hopes and dreams that it was portrayed as.

Hardly a celebration of emancipated womanhood.

Ultimately, Cappuccino Girls lived up to its name. Frothy like the coffee, and girls, not women, living out a fantasy where they are saved from the harsh reality of life.

Monday, August 10, 2009

Male or female brain

For a reason slightly more complicated to explain than I can be bothered with, someone left a copy of Glamour magazine on my desk (oh, okay, it was because it had an interesting article in it about the negative effects of porn), and it contained a quiz to see if you, the reader, had a 'male' or 'female' brain.

Turned out I was in the middle section with a brain that combined a bit of both. Apparently that can work to my advantage as I can supposedly relate to both sexes. I'm not sure about that.

T'was an interesting article. Later on in the mag was a 'beachwear' section. I have to say my female brain kicked in as I was looking at a very attractive woman in a crochet swimsuit. "That's going to shrink in the wash," I thought.

Monday, May 25, 2009

Hay highlights

We had a Book Group trip to Hay-on-Wye on the Bank Holiday. Here are some highlights...
  1. Seeing Stephen Fry as he hurriedly left the festival, with a glass of red wine in his hand as he departed through the throng.
  2. The envious looks as we unpacked our huge shared picnic in the middle of the festival square.
  3. Manly discussions about manly topics in the 'Man Car'. (The girls got to talk about Twilight and potatoes, apparently.)
  4. Wandering round Hay itself and in and out of bookshops.
  5. Meeting up with former group members, Alan and Rhian, at lunchtime.
  6. Free samples of fair trade fudge.
  7. ...and, strangely, going to a really well-organised event with covered walkways between marquees, posh portaloos, and virtually no mud, was enjoyable in itself. I was thoroughly impressed.

Tuesday, December 16, 2008

Rom-coms are evil

Well, maybe not evil, but not very good for your love life - according to boffins.

This lends weight to my theory that most single chicks are single because they are waiting for a white knight/Hugh Grant/Mr Darcy to whisk them off their feet in a magical jamboree of odd coincidences, fated chance encounters and smouldering passion.

Friday, July 20, 2007

Transformers

Wow!

I kept nudging Cathy throughout with comments like "It's Bumblebee, it's Bumblebee!" or "It's Optimus Prime!" And she kept telling me to shut up and stop being such a saddo. At the end I turned to Cathy and said: "I think this just might be my new favourite film!" She said: "Seriously?" Perhaps it's more of a boy thing.

In case you loved Transformers as a kid and are afraid the big screen version is going to stuff things up, don't worry. Everything you could want is in there, including in-jokes ("They must be Japanese!"), amazing special effects, humour, decent acting (despite slightly corny scripting), heroism, explosions, screeching tyres, and good triumphing over evil.

Or to put it another way: it's full of cool cars and then they become robots. What more could you want?

Plus they've left the ending open for a sequel. On the basis of the first one, I'm already excited at the prospect of seeing more.

Go and see it. Seriously - get thee to a cinema!

Jongudmund's rating: 10/10