We all know that May the Fourth is Star Wars Day, but did you know that just like how there are different dates for Easter and Christmas in the Orthodox Church, there is also "Orthodox Star Wars Day" on 25th May, which is the date Star Wars was originally released in cinemas in 1977? Well, if you didn't know that, now you do.
A couple of nights ago, on Orthodox Star Wars Day, Cathy and I went to the local Odeon to watch the first Star Wars film to be released for seven years, The Mandalorian and Grogu. (Yes, it really has been seven years. That was a whole pandemic ago!)
This latest Star Wars film is about the Mandalorian bounty hunter, Din Djarin, and his foundling trainee, Grogu, continuing their story from the three TV series of The Mandalorian (and the episodes of The Book of Boba Fett that they rather stole the show in).
Very mild spoilers follow below...
If you haven't seen the TV series, then you might struggle getting into this story. It is quite episodic, with three distinct story chapters that could have been episodes in a fourth series. (There are primers available online to bring you up to speed.)
The Mandalorian is now working for the New Republic, as a contractor bringing in former Imperial generals who are operating as war-lords. This makes narrative sense to me, as the surviving Imperial factions pose the most risk to Grogu, the child in the Mandalorian's care.
His work for the New Republic brings the Mandalorian into the orbit of the Hutt gangsters who first appeared in The Book of Boba Fett. Carnage ensues.
I enjoyed watching this but there were moments when it felt a bit indulgent. Dave Filoni, current president of Lucasfilm, uses the film to bring back certain characters he created earlier in his career. Notably, this includes Rotta the Hutt, spawn of Jabba the Hutt.
Rotta is presented as a complex character trying to emerge from the bloated shadow of his father, but it feels a bit worthy and preachy the way its done. Rotta first appeared in the Clone Wars cartoon series that had a 'moral' for every episode and his story arc feels very Saturday-morning-cartoon.
There are some niche references as well. The INT-4 mini-rig vehicle produced as a toy by Kenner in the early 1980s makes a live action debut. It's the latest in a line of appearances in modern Star Wars media of those early toys that were the product of a toy designer's imagination way back when.
Another returning character is Zeb, the darkly comedic Lasat from Star Wars Rebels. He was my favourite character in Rebels and it's nice to see he has survived the war against the Empire. He's still serving in the military, though. The war isn't quite over everywhere.
My favourite callbacks were when the film-makers leaned into the "baby Yoda" idea and had Grogu picking up little Yoda-isms. He spends some time living in a swamp, with a mid hut and a walking stick. Cathy pointed out, there is alsia crashed spaceship in the swamp - another Dagobah reference.
There has been some criticism of modern Star Wars - particularly the Mandalorian series - being geared towards 'fan service' (I thought BOBF had too much). But really why not provide some service to the fans? After all, it's the fans that turned this franchise into the behemoth it is.
Next year it will be a whole half century since the first instalment of Star Wars was released in cinemas. I doubt The Mandalorian and Grogu will have the same cultural resonance, but as a small continuation of what has turned into a cultural movement, it ticks the right boxes. It was a fun movie and made me, a self-confessed fan, happy.


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