The thing about those shows you adored as a kid is that when you watch them as a grown up they are often howlingly bad. Knight Rider, Thundercats, Airwolf... even The A-Team isn’t quite as good as I remember it as a kid.
And the thing about remakes and ‘re-imaginings’ is that they can vary so much from the really quite good (Star Trek last year or the first Transformers movie) to the horrifyingly shameful (Starsky and Hutch with Ben Stiller and Owen Wilson) to the plain bizarre (Tim Burton’s Planet of the Apes).
I guess when you take a much-loved children’s TV show and update it into a big-budget film there is the potential for so much to go wrong. Generally though, The A-Team got the mix right. There was humour, plenty of ridiculously over the top action, sequences where the team improvised some gear from whatever was lying around, and we finally found out why BA is afraid of flying.
There are some gripes. Part of the original Face Man’s charm was that his sexual conquests were only ever hinted at in the scripts. In the movie they are referred to more explicitly (nothing too explicit, thankfully). There are a couple of scenes where the main action retreats off-stage. You don’t see how Hannibal manages to handcuff two snarling Rottweilers together, for example.
Also you have to stay right until the very end to see the cameos from Dirk Benedict and Dwight Schultz, when those would have worked in the main cut of the movie. And if you’ve seen the trailers you’ll know the van gets mashed. Well, that happens quite early in the film, which is an odd thing to do to a merchandising icon. Also, sometimes the CGI looks a bit ropey.
But overall, this is a remake with a decent budget and a bit of class. Some stand-out moments include a heist in Baghdad, a 3-D movie that comes to life, and the first time Murdoch meets BA and Face. There are occasional drifts into more thoughtful areas. BA struggles with whether he can renounce violence. Face asks Hannibal if he could ever betray his men. But the deep stuff doesn’t go too deep and descend into pathos.
I had a feeling I would enjoy this film before I went, but was apprehensive too. Bad remakes are painful to watch. This, thankfully, was a pain-free trip to the cinema. I’d recommend it.
Jongudmund’s rating: 8/10
Thursday, July 29, 2010
A plus for the A Team (movie review)
Wednesday, July 28, 2010
It's not that there's not a lot happening
It's rather that there is too much going on. And trying to best Bowser in Super Mario Galaxy 2 has taken up a good proportion of my free time. That and the complete box set of the West Wing that I bought with my redundancy gift (and an extra tenner).
But I have bested Bowser and I'm aware I haven't blogged much recently so here's a little thought-form from a Tragically Hip song I listened to while walking to work recently, that has stuck with me.
"We live to survive our paradoxes."
I have a few paradoxes in my life at the moment. Doubt and survivor guilt and subliminal choices and plans and hopes and other abstractions, distractions and cognitive dissonances. We are complicated creatures. But by and large we live to survive our paradoxes.
But I have bested Bowser and I'm aware I haven't blogged much recently so here's a little thought-form from a Tragically Hip song I listened to while walking to work recently, that has stuck with me.
"We live to survive our paradoxes."
I have a few paradoxes in my life at the moment. Doubt and survivor guilt and subliminal choices and plans and hopes and other abstractions, distractions and cognitive dissonances. We are complicated creatures. But by and large we live to survive our paradoxes.
Labels:
paradox,
song lyrics,
Super Mario,
Tragically Hip,
West Wing
Tuesday, July 13, 2010
My favourite moments of the World Cup
The World Cup 2010 is over and gone, with a final that will be remembered more for its brutality than anything else. Referee Howard Webb described it as two hours of hell after he had to dish out 14 yellow cards. He could have given more, and really its amazing only one person got sent off.
But as the dust settles on Spain's triumph, what will I remember from this world cup? Well, here are a few...
1) Calamitous England
Rob Green's despairing flap after he spilled the ball to let the USA equalise in England's first game, followed by his faceplant into the grass in shame, was only equalled by John Terry's fish impression as he dived and contorted his body against Slovenia. See if you can find a slow-mo replay on YouTube somewhere and prepare to laugh.

He didn't even get the ball.
2) Great finishing from Germany.
Miroslav Klose's side-foot for their fourth goal against Argentina was truly world-class. And they demolished England with a powerful running game. Spain had to sacrifice their creativity to smother the Germans in the semi-final to scrape a win.
3) Ghana's last minute penalty miss
Drama by the bucketload after Suarez's handball, which will no doubt be played repeatedly on World Cup clipshows in future.
4) Giovanni Von Bronckhorst's long-distance goal against Uruguay
I simple couldn't believe that went in. An amazing goal.
5) Paul the psychic octopus
When national news networks interrupt their programming to bring you the predictions of a cephalopod, you know the human race is starting to lose it slowly. Apparently he now has his own trophy...
Labels:
England (football team),
Germany,
goalkeeping,
Holland,
John Terry,
octopus,
Uruguay,
World Cup
Tuesday, July 06, 2010
It's been a great World Cup so far
I've said this a few times to people, but I feel I have really conected with the World Cup this time around. I can't remember much of the 2006 World Cup. I can recall England scraping a win against Trinidad & Tobago, and Ronaldo getting Rooney sent off, and Zidane's inexplicable headbutting of Marco Materazzi in the final and that's about it.
But this time round there seem to have been some really memorable things.
First off, England were an utter crapfest. I know I'm only saying this now, but my wife and my Dad are both witnesses that I predicted England wouldn't get out of their (ridiculously easy) group. Okay, I was wrong on that, but they barely scraped it, and then they met Germany.
That's another thing, I haven't seen a German international team play the way this team play - with pace and verve. Normally German sides play percentages, build from the back, dominate the midfield and score from set pieces.
This side has the usual Germanic swagger, but when they play on the break and pass the ball into the feet of the runners it's joyful, irresistible football. Oezil's dinked chip-pass to Klose for the fourth goal against Argentina was magical, as was Klose letting the ball drop to within a whisker of the grass before side-footing the volley home. Watch it and watch it again to see an absolute masterclass in finishing.
I never thought I'd get excited by Germany, but I'm excited.
There have been spectacular exits too. France self-destructed in the group stages. Italy were put out by relative minnows in their group too. England, well, stuttered into a mismatched game with Germany that ended in hefty defeat - a game that will live on in infamy for a goal that should have been but wasn't given. Holland unexpectedly put out Brazil.
And then there was Ghana's misfortune. To miss a penalty in injury time, for the most blatant handball blocked shot on the line I have ever seen, is one thing. But then to lose the penalty shoot-out five minutes later was a travesty of justice. I watched the game and could barely watch Gyan take the penalty. Somehow I just knew he would miss. And when it went to penalties I knew Uruguay would win. Why? Because football is a bastard mistress who torments her lovers with harsh injustices.
Which of course is why we love it so.
And tonight's game had drama too. Holland got a goal, loosened up, let Diego Forlan score, and got edgy, then got a fortuitous goal and scored a third through one of the best headed goals ever and were enjoying themselves again. Until injury time, when Uruguay worked a training ground set play and bizarrely scored, to set up a tense final three minutes when it looked like the most unlikely comeback ever might just happen.
Fortunately for the Dutch (and my Holland-supporting spouse) Uruguay's persistence didn't pay off. Holland are through to their first World Cup final since 1978 and have as much chance as anyone of lifting the trophy.
And tomorrow they will find out who they play in the final: Germany or Spain. I think it will be the Germans, but Spain may do better against European opposition than they did against Paraguay in the last round where they edged out a very close game 1-0.
I actually feel excited.
But this time round there seem to have been some really memorable things.
First off, England were an utter crapfest. I know I'm only saying this now, but my wife and my Dad are both witnesses that I predicted England wouldn't get out of their (ridiculously easy) group. Okay, I was wrong on that, but they barely scraped it, and then they met Germany.
That's another thing, I haven't seen a German international team play the way this team play - with pace and verve. Normally German sides play percentages, build from the back, dominate the midfield and score from set pieces.
This side has the usual Germanic swagger, but when they play on the break and pass the ball into the feet of the runners it's joyful, irresistible football. Oezil's dinked chip-pass to Klose for the fourth goal against Argentina was magical, as was Klose letting the ball drop to within a whisker of the grass before side-footing the volley home. Watch it and watch it again to see an absolute masterclass in finishing.
I never thought I'd get excited by Germany, but I'm excited.
There have been spectacular exits too. France self-destructed in the group stages. Italy were put out by relative minnows in their group too. England, well, stuttered into a mismatched game with Germany that ended in hefty defeat - a game that will live on in infamy for a goal that should have been but wasn't given. Holland unexpectedly put out Brazil.
And then there was Ghana's misfortune. To miss a penalty in injury time, for the most blatant handball blocked shot on the line I have ever seen, is one thing. But then to lose the penalty shoot-out five minutes later was a travesty of justice. I watched the game and could barely watch Gyan take the penalty. Somehow I just knew he would miss. And when it went to penalties I knew Uruguay would win. Why? Because football is a bastard mistress who torments her lovers with harsh injustices.
Which of course is why we love it so.
And tonight's game had drama too. Holland got a goal, loosened up, let Diego Forlan score, and got edgy, then got a fortuitous goal and scored a third through one of the best headed goals ever and were enjoying themselves again. Until injury time, when Uruguay worked a training ground set play and bizarrely scored, to set up a tense final three minutes when it looked like the most unlikely comeback ever might just happen.
Fortunately for the Dutch (and my Holland-supporting spouse) Uruguay's persistence didn't pay off. Holland are through to their first World Cup final since 1978 and have as much chance as anyone of lifting the trophy.
And tomorrow they will find out who they play in the final: Germany or Spain. I think it will be the Germans, but Spain may do better against European opposition than they did against Paraguay in the last round where they edged out a very close game 1-0.
I actually feel excited.
Friday, June 25, 2010
Another sportsman with a weird name
I was watching the baseball at breakfast yesterday. NY Mets v Detroit Tigers. Stepping up to the plate was the new Mets star-in-the-making Angel Pagan.

Yes, that's right Angel, as in heavenly messengers sent from above, Pagan, as in pre-Christian tribal goddess-worshippers. Although to be fair he is Hispanic, so it's pronounced Ang-hel Pah-gahn.
But even so, a quality juxtaposed name.
Thursday, June 24, 2010
New depths of hyperbole
According to the TV spots, Twilight Eclipse is the movie "the whole world is waiting for".
There really isn't enough satire in the world to properly flame that claim. But there will be enough giddy teenage girls and covetuous cougars swooning over young ripped boys pretending to be were-wolves to make the box office figures bankable.
I fear for our culture, I really do.
There really isn't enough satire in the world to properly flame that claim. But there will be enough giddy teenage girls and covetuous cougars swooning over young ripped boys pretending to be were-wolves to make the box office figures bankable.
I fear for our culture, I really do.
Monday, June 14, 2010
World Cup fever and Waldo Ponce
Funniest name at the World Cup? Got to be Chile's central defender Waldo Ponce.
Just in case you want to go Ponce spotting here's a picture of him.

I tried to find a picture of him with his back to the camera so you could see his shirt with 'Ponce' written on it. But no such luck. Nice headband though.
Just in case you want to go Ponce spotting here's a picture of him.

I tried to find a picture of him with his back to the camera so you could see his shirt with 'Ponce' written on it. But no such luck. Nice headband though.
Labels:
Chile,
football,
funny names,
Waldo Ponce,
World Cup
Sunday, June 13, 2010
Film review: Lebanon (at Chapter Arts Centre)
This was a powerful, emotional, tense film that left me feeling a bit drained by the end. One of those films where you're glad you've seen it, but you can't really say you've enjoyed it.
Set in the 1982 Israeli invasion of Lebanon, what this film really captures is the chaos of modern warfare, and how the main protagonists don't have a clue what is going on. In this case, everything is seen through the experiences of a tank crew, who don't leave their tank during the whole film. Their only contact with the outside world coming when the hatch on top opens, or viewed through targetting scopes. And much of what they see is hauntingly horrific.
Ordered around by a professional paratrooper major, the tank becomes a carrier for the dead, and a prisoner transport. But who are really the dead and the prisoners? The real thrust of the film is that even those who survive in war die somehow in the process, and whether you're driving the tank or chained up to the steam-pipes, you are still a prisoner.
It's all in subtitles. It's dark inside the tank. There's no way of knowing what's going on. As a film it's got it's limitations. But as a raw statement about being caught up in events you don't understand and cannot wrest control over, it is outstanding.
Jongudmund's rating: 9/10 Only see this if you're prepared to think about it afterwards.
Set in the 1982 Israeli invasion of Lebanon, what this film really captures is the chaos of modern warfare, and how the main protagonists don't have a clue what is going on. In this case, everything is seen through the experiences of a tank crew, who don't leave their tank during the whole film. Their only contact with the outside world coming when the hatch on top opens, or viewed through targetting scopes. And much of what they see is hauntingly horrific.
Ordered around by a professional paratrooper major, the tank becomes a carrier for the dead, and a prisoner transport. But who are really the dead and the prisoners? The real thrust of the film is that even those who survive in war die somehow in the process, and whether you're driving the tank or chained up to the steam-pipes, you are still a prisoner.
It's all in subtitles. It's dark inside the tank. There's no way of knowing what's going on. As a film it's got it's limitations. But as a raw statement about being caught up in events you don't understand and cannot wrest control over, it is outstanding.
Jongudmund's rating: 9/10 Only see this if you're prepared to think about it afterwards.
Saturday, June 12, 2010
Gig review: Florence and the Machine at Cooper's Field, Cardiff
This was an eagerly anticipated 'massive' gig by an artist I have a genuine respect and deep-down love for, and yet I was left quite disappointed by it.
For one thing if you're going to pay £30 for a ticket (once you add on the 'booking fee' aka 'being screwed by the ticket office fee) you expect to be able to hear the freakin vocals. Unfortunately the punch drunk baboon on the sound desk had only been given rudimentary training in knob-fiddling and so the resultant sound was something akin to listening to a car radio underwater. When she spoke between songs she may as well not have had a mike at all.
Or to put it another way it reduced the gig rating in my estimation from a potential 9.5/10 to a barely scraping it 6/10.
The energy was there. The crowd were there and loving Florence in all her dippy, dreamy wedding-dress-wearing kookiness. But it's a good thing that the crowd drowned out Miss Welch during the big hits because that obscured the terrible PA job.
And it was some crowd, crushed into a sweaty, claustrophobic rubbery canvas tent that seemed to keep the heat in, but let the sound out. (I think that was part of the problem. Canvas walls don't reflect audio waves the way walls do.)
So all in all I felt a bit let down.
(It also means I want to see her again somewhere where they get the vocal mix right.)
For one thing if you're going to pay £30 for a ticket (once you add on the 'booking fee' aka 'being screwed by the ticket office fee) you expect to be able to hear the freakin vocals. Unfortunately the punch drunk baboon on the sound desk had only been given rudimentary training in knob-fiddling and so the resultant sound was something akin to listening to a car radio underwater. When she spoke between songs she may as well not have had a mike at all.
Or to put it another way it reduced the gig rating in my estimation from a potential 9.5/10 to a barely scraping it 6/10.
The energy was there. The crowd were there and loving Florence in all her dippy, dreamy wedding-dress-wearing kookiness. But it's a good thing that the crowd drowned out Miss Welch during the big hits because that obscured the terrible PA job.
And it was some crowd, crushed into a sweaty, claustrophobic rubbery canvas tent that seemed to keep the heat in, but let the sound out. (I think that was part of the problem. Canvas walls don't reflect audio waves the way walls do.)
So all in all I felt a bit let down.
(It also means I want to see her again somewhere where they get the vocal mix right.)
Labels:
Coopers Field,
disappointment,
Florence and the Machine,
gig
Friday, June 11, 2010
I bet there's a sign that says 'Don't touch'
He might be called Phil. He might be a fruit. He might just like puns. Who's to say?
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(Spotted on our recent book group trip to Hay on Wye.)
.jpg)
(Spotted on our recent book group trip to Hay on Wye.)
Labels:
book group,
fruit,
funny names,
Hay-on-Wye,
puns,
shops
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