Thursday, July 26, 2007
A writer's legacy
My dream is to write more of what I want to write for a living. But I recognise I am lucky in getting to do something like what I want to do. Still we all daydream, don't we.
Thinking about other writers I admire, one of them is George Orwell. A mark of a writer's achievement is the impression you make on the language - in other words your legacy. Orwell managed that with one book: 1984.
I read 1984 when I was about 15 and it remains one of the most affecting books I've ever read. And when you think about the linguistic legacy of the book, you can see how I'm not alone in that. The very title is frequently used to describe a sinister governmental state of affairs: "It's like something out of 1984". The term 'Orwellian' is used exclusively for a dystopic view of the future, or a pessimism about society, based on 1984 (and possibly Animal Farm, to be fair), but not for any of his other stuff.
And of course, Big Brother. Inescapable at the moment in terms of TV, but also in terms of CCTV. There are 20 million CCTV cameras in the world and 4 million of them are in Britain. That's one camera for every 14 people. 20% of the world's CCTV footage is of me and my fellow Brits going around our daily business. (And worryingly, the Big Brother who watches us doesn't stop people blowing themselves up on the underground or ramraiding airports. No wonder the conspiracy theorists conclude the government is in on it.)
At least one other TV show takes it's name from 1984: Room 101. It takes a certain kind of genius to take the fabled torture room where you are made to face your worst fears and turn it into light televisual entertainment. But I think Orwell would have enjoyed the irony. And it was quite a decent show, even if the first presenter was replaced with no explanations. (It's just like something out of 1984.)
And try and read a quality newspaper (or even the Daily Mail) for a week without running across the phrases 'thought police' or 'doublethink' (the art of holding two contradictory viewpoints at the same time).
So the big question is, did naming these concepts so many years ago mean they couldn't insidiously develop. What George Orwell gave the world was epithets to describe the erosion of civil liberties and government duplicity. When his labels are applied to circumstances, it reveals them for what they are. Is his legacy really the freedom to name and shame tyranny?
Monday, May 28, 2007
This explains Big Brother
Scott poses the question: "Do you have an unusually good imagination? If so, do you enjoy being alone more than most people?""My hypothesis for today is that a person’s need for social interaction is inversely related to the quality of his or her imagination. In other words, if you have an excellent imagination, you might enjoy people, but you’re equally happy to be alone with your thoughts for large stretches. To put it bluntly, you fascinate yourself.
A key part of my hypothesis is the assumption that people have widely different powers of imagination. This seems likely. People are all over the map for every other mental ability. Whatever is happening inside the mind of the person with the worst imagination on earth is clearly very different from what’s happening in the mind of the most creative.
Presumably, if you have no imagination whatsoever, you need to get all of your stimulation from the environment, mostly from other people, or at least TV shows about other people. You wouldn’t want to be alone with your thoughts for more than two minutes because your thoughts would bore the living piss out of you."
And that does fascinate me. Because for a long time I thought I had difficulty making friends, until I took a Birkman profiling test which showed I was 'selectively sociable' ie I only look to a few people for approval/support. I did another psych test which revealed I was an introvert with extrovert characteristics. So I can get up and speak to a room full of people - but that doesn't make me an extrovert. I recharge my batteries by spending my downtime by myself.
Which presumably is why I can spend hours writing a story in a universe I'm making up off the top of my head and not feel tired, but twenty minutes into my work day in a crowded office and I become Lethargico, the Sloth Superhero.
And it also explains why people who I can only charitably describe as dullards buy Closer magazine*, care about whether D-list celebrities have tan lines, worry over Posh Spice's weight, and will watch the imminent new series of Big Brother.
*it even has the word 'loser' in the title. I mean, come on...