Hey, remember when I posed with this guy?
Well, I finally got round to seeing his new film. I went this week with Bryan and Elaine. Considering the film was released in early September I was surprised how many other people were watching it too - but then it was half term week in the run up to Halloween. The further mystery is why the studio didn't wait to release this as a big Halloween release, considering it's set at Halloween and is a ghost story (of sorts).
Mild spoilers follow...
This is a sequel that rides the current trend of very late sequels, arriving 36 years after the original movie. Alongside Michael Keaton as the titular Beetlejuice, Winona Ryder and Catherine O'Hara both revive their roles as Lydia and Delia. We get a throwaway line explaining why Geena Davis and Alec Baldwin's characters aren't around and Jeffrey Jones's character, Charles, appears in an animated segment and is sort of in it thereafter but in a way they didn't need to use the actor.
I was a fan of Tim Burton's movies for a long time but lost a bit of faith in him as a director more recently. This felt like a return to form - as if someone had said to him 'Hey, Tim, go and make a Tim Burton movie!' And he definitely maxed out the trademark black humour and silly gore. The writers must have had fun imagining as many different gruesome deaths for the residents in the afterlife. I particularly chuckled at the escapologist who was still chained inside his box that was full of water.
It's a short, fast-paced film with a lot going on. Lydia is now a TV ghost whisperer. Her stepmother Delia is a successful artist. After Charles dies, the pair travel back to the 'ghost house' where they first met Beetlejuice for a memorial service. Lydia's daughter. Astrid (played by Jenna Ortega) is with them. She definitely doesn't believe in ghosts and thinks her mother is a fraud. She changes her mind during the course of the film.
Because there is a lot going on, some storylines feel rushed and unnecessary. Monica Bellucci is frankly wasted as Beetlejuice's angry ex-wife seeking to kill him for good. Willem Defoe as a dead actor who thinks he's a cop steals the scenes he is in, but it's also an aspect of the story that gets squeezed. Meanwhile there are some scenes that are overplayed - while I like any scenes featuring trains in movies, the "Soul Train" dance sequence could have been cut despite the energy it brought to the perilous journey into the underworld for the mortal characters.
After a great dance number during the wedding scene, with the characters bewitched to sing along to MacArthur Park (with the wedding cake dissolving as they sing about a cake left out in the rain), the film ends with the characters suffering a variety of fates - some pleasant, some not so. There is a mixed bag of happy ever afters for the main characters, again playing to Tim Burton's strength of not ending a character's storyline conventionally. One happy ending turns into a horrible nightmare and then the credits roll.
As very belated sequels go, this was great fun. I laughed a lot, winced at some gory bits, laughed again, enjoyed the spectacle of the musical sequences, and overall thought it was great. It extended the Beetlejuice story without just rehashing the original film and was well worth seeing on its own merits too.