2024 telly round up

Here is a round up of very short reviews of the more memorable telly I watched in 2024.

Bluey - The Sign / minisodes

I love Bluey. It's one of my favourite TV shows. The big thing this year was the release of a half hour episode called 'The Sign'. The big plot point is the impending sale of Bluey's family's house and the family moving to another city. Meanwhile Bluey and Bingo and their cousins Muffin and Socks are preparing to be flower girls at their uncle's wedding. Things go slightly awry and the four flower girls become part of a last ditch attempt to make sure the wedding goes ahead. 

There is a big emotional ending that I'm willing to admit made me cry, and the overall message - that you don't know how things will work out in the end until you reach the end - was positive without being wishfully optimistic. There was also an interesting sub-theme of parents trying to do what is best for their children, but not really knowing the best way forward and reconsidering decisions.

This year there have also been several 'minisodes', very short tales from the Blueniverse. I've found them very entertaining. 'Burger Dog' is probably my favourite. (The way Bandit's eye twitches as he is forced to listen to a terrible song makes me laugh every time.)

Wallace & Gromit ~ Vengeance Most Fowl

We watched this on Christmas Day and laughed a lot. It was packed full of jokes, saw the return of the evil penguin, Feathers McGraw, and managed to find a suitable replacement for the vocal talents of the late Peter Sallis, the original voice of Wallace. I think this is the best one off programme I saw in 2024. 

Ludwig

David Mitchell stars as a puzzle-setter who takes on his twin brother's identity as a police officer when his brother goes missing. Of course, he soon proves himself rather good at solving murders. I found this highly enjoyable and some of Mitchell's lines really made me laugh.

A Man on the Inside

This Netflix comedy starring Ted Danson was written by Michael Schur, whose previous credits include Parks & Recreation, Brooklyn Nine Nine and The Good Place. Those are all shows I enjoyed and I enjoyed this too. Ted Danson is a retired college professors hired by a private detective to go undercover in an elderly care community to try and solve a theft. Stephanie Beatriz, one of my favourite actresses, is the manager of said care home who suspects something is up. There is a deeper theme about loss and continuing to love those we have lost, and learning to live without them, that elevated this above other comedies. 

Nobody Wants This

Another Netflix comedy, this time starring Kristin Bell (who was in The Good Place) and Adam Brody. She's a sex and relationships podcaster, he's a rabbi. They meet. They fall in love. Worlds collide. There are some very funny moments, particularly from their supporting cast. One thing I noticed was the cinematic way of filming, especially in some scenes set at a youth camp. The series ended on a cliffhanger and there was a reassurance that a second season was coming. 

Star Wars: The Acolyte

This was supposed to be the big 2024 reboot of Star Wars. I found it boring. Some Jedi are being held to account for something they did by someone who feels wronged. I found it hard to care. I gave up watching. 

Star Wars: Skeleton Crew

This has been dubbed 'The Goonies in space' and so far it has been brill! (Half the episodes were released in 2024, there are still a couple yet to drop.) A bunch of kids find a crashed starship and accidentally fire it up. They end up on the run from murderous pirates searching for lost treasure. It's silly and goofy and fun and what Star Wars is meant to be! (In my opinion as someone who has been a fan for over 40 years now!)

Doctor Who

I watched the series with Ncuti Gatwa as the Doctor. It was okay. I feel like I say that a lot about Doctor Who these days. 'Dot and Bubble' was the most interesting episode. The overall story arc for the series seemed to be a whole lot of nothing. Literally. The Doctor's companion, Ruby, was 'special' because she was so ordinary, seemed to be the big reveal. It felt like a cop out. I suspect the showrunner Russell T Davies wrote himself into a corner and then couldn't come up with a satisfactory way out. I haven't watched the Christmas special but haven't heard much positive about it. 

Old stuff...

In addition to the series released this year, I've watched a lot of older stuff. This included:

Both seasons of Gravity Falls - a cartoon about two kids who go to stay with their great uncle (grunkle) who runs a 'Mystery Shack' roadside attraction in Oregon. Started out very funny, then became a story about averting an apocalypse.

All three seasons of Amphibia - a cartoon about some tweens who accidentally get transported to a world of talking frogs, called Amphibia. Again very funny, but the final season was about a war to free Amphibia from an evil hive mind.

The four seasons of Never Have I Ever - a Netflix series set in high school about a girl who is terrified she might never lose her virginity. This actually became quite a sweet story of finding love and growing up. 

All 6 seasons of Spin City - a comedy from the 90s that hasn't aged well and had to go through a hard re-casting when the star, Michael J Fox, had to leave due to health reasons. He was replaced by Charlie Sheen and the show went rapidly downhill. 

All 8 seasons of Psych - a comedy-drama about a guy who pretends to be psychic and help his local police force solve crimes. The pilot for this played it fairly straight, but it quickly became very silly indeed. 

Several seasons of vintage Doctor Who. These are now all available on iPlayer. I started watching them semi-accidentally, and watched a series with the Daleks in the era when Jon Pertwee was the doctor. I then carried on watching Pertwee's final season, then into the Tom Baker era. It's actually great fun seeing actors and trying to work out where I know them from. I spotted Camp Freddy from The Italian Job, but I had to look up the guy who played Chief Bast in Star Wars. (I could have kicked myself for not working out who he was before I googled him.)

Brooklyn Nine Nine - Series 3 and it's getting relationshippy, hmmm....

I'm a huge fan of Brooklyn Nine Nine. I think it's true to say I laughed out loud at least once during every episode of the first two series. Andy Samberg as Jake Peralta is brilliant at delivering witty lines and the cast around him are equally good at playing comedy straight.

But season 3 has just started and I fear it is heading into the same kind of trouble that has plagued other good sitcoms before it. It's getting relationshippy.

I love these guys

Jake and Amy are now an item. Season 2 ended with them kissing and then a cliff-hanger. They are now trying to work out the relationship. The problem is that in sitcom-world, unrequited love, or relationships being thwarted is always more interesting than when the mismatched, oft-thwarted lovers finally get together.

For evidence: even though everyone wanted Ross and Rachel to get together, the relationship was not the opportunity for comedy that the preamble had been, with Ross dreamy-eyed over an oblivious Rachel and hating her boyfriend, whoever that was in any given episode. Similarly, while how Monica and Chandler got together was funny, their being together was less funny. Friends went from being slick and smart to being schmaltzy and almost unwatchable when it got relationshippy.

Just about everyone who loved Frasier will agree that it went rapidly downhill once Niles and Daphne's unrequited romance was requited. Again, the trick to that comedic genius was Niles being in love with Daphne and her not knowing about it, even though everyone else did. Putting them together would have been the perfect way to end the show, because, realistically, it's not worth watching it after they got together.

The same dynamic of lovesick dolt and oblivious girl is what made Leonard and Penny so enjoyable on-screen in the early years of The Big Bang Theory. That show has gradually married or paired off its four main male characters now. Hopefully they will learn from Frasier and make Sheldon and Amy's inevitable wedding the finale.

We've even seen a similar problem in the otherwise epic Parks & Recreation. They effectively had to bin off Ann and Chris as quickly as possible after they got hitched because they were no longer interesting. And it's a wonder that Leslie and Ben's nuptials didn't sour the whole thing too. Except the real dynamic there was always Leslie and Ron rather than her romantic relationship, so maybe that was the thing that saved it.

The thing is that relationships themselves are inherently settled, while the best comedy comes from unpredictability. That's why Joey was the only character from Friends for whom a spin-off series could possibly work. Comedy is also rooted in pathos. We feel for the love-struck Niles or Ross more than the loved-up versions of themselves, because we feel their pain and share their hope.

I've said before how brave the writers and cast of Seinfeld were to quit at the top of their game, when they were still the number one comedy in America (and possibly the planet). Season 9 is still one of the best seasons of Seinfeld. But it's telling that none of the main characters are anywhere near a serious relationship, except for Elaine - although her relationship with Puddy could only be described as disastrous. If Jerry or George had genuinely settled down the comedy would have slowly dissipated away. (Of course, George had a near miss, but that doomed relationship became a hilarious millstone around his neck in later years.)

So, will Brooklyn Nine Nine buck the trend? A lot of the humour in the first two series came from Jack and Amy sparking off each other and bickering. Now they profess feelings for each other. Can this still be funny? (It's the same issue Modern Family will face now that Hayley and Andy are officially together - we will have to wait and see there too.) I hope the writers can avoid the relationship pitfall, because Brooklyn Nine Nine is arguably the best thing on TV right now (at least until Elementary comes back) and I really hope they can pull off a third amazing series.

Two good things

Firstly yesterday I had the sitcom script I wrote with Justin returned by the BBC Writer’s room with some very encouraging comments written on it, including “you demonstrate a flair for comedy that’s certainly worth developing”. The script-reader also said it made her laugh out loud at points which she said is unusual for a first-time comedy script. So, we've got some stuff to go on there, I think.

The second thing is, of course, Barack Obama’s victory in the presidential election. I felt unbelievably tense last night because I so wanted him to win (I have done ever since I read his book in the summer). I don’t think I’ve prayed/pleaded so much over one thing in absolutely ages. When the election coverage began and people started saying it looked like he was on course to win, I felt even more tense. What if it all went wrong? What if the exit polls had messed up?

Anyway, I went to bed and this morning turned on the TV to find out he had won. The feeling of relief! The sense that now things may well change, and also that ordinary Americans had actually done the right thing and voted for the right guy kind of rebuilds that faith in Americans which I for one want to have.

I’ve fallen in love with America over the last couple of years and as a nation it deserves a president who is going to encourage it to shine as a beacon of hope, freedom and democracy in a sometimes very dark world. It may take some time to take off the tarnish of the Bush years, but this is such a step forward in terms of America’s stature and the perception of America out here in the rest of the world.

I tried to explain this to my American car-pool buddy this morning, but I think it might have come across as vaguely patronising. It’s hard to explain why something like this feels like a great weight has lifted off my shoulders. It’s that elusive thing called hope.