An early 'book of the month' this month because I had already finished reading this by the end of last month for one very simple reason: it was that good I tore through it on one of my return train trips to London, starting it somewhere just outside Cardiff on the way there and finishing it somewhere between Newport and Cardiff on the way back!
And also a shout out to whoever designed this book cover because this delightful scruffy crow on the cover, pilfering milk from a doorstep delivery caught my eye while on a wander in Griffin Books in Penarth. So I picked it up, read the back cover summary and thought 'hmmm'. Although - spoiler alert - crows don't feature much in the book.
This is a fictionalised semi-memoir that carries a ring of authenticity heavily swirled in nostalgia. It is loosely based on Jennie Godfrey's own experience of growing up in Yorkshire during the early 1980s when Peter Sutcliffe, who was branded the Yorkshire Ripper by the press, murdered multiple young women.
The two best friends in the story - Miv (Mavis) and Sharon - are drawn to the horror that starts overshadowing everyday life and follow the police's advice to look out for suspicious things. They start to create a list of things - and men - they think are suspicious. And along the way their investigations uncover a whole heap of other secrets in the lives of the adults around them.
It's a very engaging story and remains believable right up to the very end. I was worried that the story might turn silly with Miv and Sharon catching, or just encountering, the Ripper. But that doesn't happen. There is enough drama going on without fabricating that. Although it turns out there is a connection between Miv and the Ripper, based on the author's own childhood connection which meant she was just one step removed from the Ripper in real life.
I have one very minor criticism: there are some slightly heavy-handed nostalgia drops into the text. As someone roughly the same age as the author I recognised the descriptions of certain fads and fashions and how particular brands were the must have thing among teenagers but the name checks amused me. I also recognised the freedom I had as a child, as Miv and Sharon head out after school on adventures with no phones, just an understanding they would be back for tea.
Many of the secrets that Miv and Sharon uncover have very deep themes - loss, betrayal, unhappy marriages, child abuse, mental illness and racism. The girls grow up as they learn more about the people living around them, and while most of the characters have a happyish ending, several do not. There's a real emotional punch to the conclusion to the story, which shows how much it drew me in.
It's to the author's credit that there are no absolute villains, just hurt and broken people hurting and breaking other people. There's a deep underlying sadness for communities that are shifting sideways as the manufacturing industries abruptly shut down and despair kicks in, with some people kicking out in response and wounding others in the process. It's as much a nostalgic tribute to those disappearing mill towns as to the author's own family and childhood.
This is the first book I've read this year that I would whole-heartedly recommend. I'm very glad the eye-catching rascal of a crow on the cover made me pick it up!

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